A Quote by Jeet Gannguli
Sajid-Wajid has been signed on for 'Rowdy Rathore.' Sajid and Wajid are great friends of mine. I am happy that they are scoring the music for this film.
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I was shooting for a Telugu film at the Taj Mahal in Agra, and there were all these women and children pointing and screaming, 'Rowdy Rathore.' But I am not really 'Rowdy Rathore.' I am the guy who did the original version of 'Rowdy Rathore' six years ago.
I was lucky to work with some of the big names such as Anu Malik, Himesh Reshammiya, Sajid Wajid, Salim Sulaiman, Mithoon, Jeet Ganguli and Pritam. I have learnt a lot from all of them and have practically grown as an artist with every song that I have rendered.
What Salman and Sajid Nadiadwala have done for me is priceless. I'll do any film for them without a single question.
People know Sajid Khan's films as comic capers which make them laugh. They expect a comedy film from me and now I will give them only what they want.
Aakhri Pasta is an extension of Sajid Khan's personality.
After 'Humshakals,' the Sajid Khan bashing which followed, that was a little unnecessary. Genuinely.
I'm going to start by making a confession. My name's Sajid Javid. And I used to be a banker. No point denying it.
Sajid Nadiadwala has been the strongest guiding light in my life. He and Farah are the only two people who I give full freedom to slap me in public, and I will keep my head down because they are my elder brother and sister.
In April 2005, I lost my father and after a few days, I went to Sajid Khan's place to discuss a film role. I wanted to keep myself busy with work so that I could forget the pain of losing a parent. When I went to meet him, he randomly asked me to touch his private parts.
You know that Sajid Khan is a brand name and that you will get a family entertainer from him. I will never change that.
'Rowdy Rathore' is a full-length commercial movie but with a difference. The Hindi version comes with some value additions.
Luckily, for me, my first producer Sajid Nadiadwala treats both Tiger Shroff and me like his kids. He's very protective.
I was playing in a band and was approached to score an independent film. I had never done it, but had written instrumental music, so I figured I could do it. Turns out I loved scoring the film, and took on another couple films before realizing that if I was to be an effective narrative composer, I should study the craft of composition. I stopped taking projects and got a degree in orchestral music composition, and followed that with film scoring studies. Near the end of my degree studies, I started taking on student films as a way to get back into film scoring.
Wanted' and 'Rowdy Rathore', which I directed in Hindi, were remakes of Telugu hits. Telugu films have contributed to my growth in a big way.
I have grown up watching films in single screens where people would get up and dance in the aisles. With 'Rowdy Rathore,' I want to recreate the same magic.
I've done two remakes, 'Rowdy Rathore' and 'Son of Sardaar,' and I see nothing wrong with it. The originals were in a language that not everyone understands, so when you're making it in another language, you can reach a much wider audience. That's how I look at it.
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