A Quote by Jeet Gannguli
It should be a singer's quality to know what a composer wants and sing accordingly.
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I'm not a salsa singer who wants to sing in English, and I'm not this American kid who wants to sing Spanish.
The pressure is only from the producers and the labels. No composer, no singer would ever want to sing a remix.
If a singer wants to improvise while recording a song, he has to get the permission of the composer.
I'm not a jazz singer, blues singer or country singer. I'm a singer that can sing rhythm & blues, that can sing jazz, that can sing country. There's a big difference. In other words, I'm not a specialist.
It's not enough to just be a good singer. You have to know where your roots come from. If you sing jazz, you should know all about jazz. You should look into, as much as you possibly can, the history of it, so that you're and educated and well-informed performer.
If you are a soul singer, you are a soul singer. If you are a heavy metal singer, then you are a heavy metal singer. What's color got to do with it? I don't go around thinking, 'I sing soul music and I'm white.' I just sing the way I feel.
I never jump on to a song and say 'I will only sing it.' I am not too obsessed as a singer. I am happy being a composer.
I don't know why people call me a jazz singer, though I guess people associate me with jazz because I was raised in it, from way back. I'm not putting jazz down, but I'm not a jazz singer...I've recorded all kinds of music, but (to them) I'm either a jazz singer or a blues singer. I can't sing a blues – just a right-out blues – but I can put the blues in whatever I sing. I might sing 'Send In the Clowns' and I might stick a little bluesy part in it, or any song. What I want to do, music-wise, is all kinds of music that I like, and I like all kinds of music.
I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or Sherry, I should be able to do that. Or a Dylan song.
I always believed a singer should be able to sing any kind of song. If I wanted to sing a Cole Porter song, I should be able to do that. Or 'Sherry,' I should be able to do that. Or a Dylan song.
I love music; I was never the type of singer to say, "This is my specific genre, or I only sing R&B music." I feel like as a singer, you should be limitless and you shouldn't be stuck in a box.
Pops, he was a singer's singer. I loved to hear my father sing. He just was so laid-back and cool. I always wished I could sing like Pops.
I knew how to sing in choirs and sing in church, but I didn't know how to sing in a studio. That's what Darlene and the Blossoms taught me to do - to be a studio singer.
I love to sing. Seriously, in my past life I was Miley Cyrus or something. I swear I'm a singer, but I know I'm not. If I could sing, I would be the happiest person on Earth.
When you hear composer, you think, like, Beethoven: guy in a powdered wig, at a piano, furiously scribbling on manuscript paper. That's not the only image that a composer should bring up, you know. But that's kind of what we've said it is.
Non-profits should be looking to enlist and retain the best people to aggressively solve problems, not to perform adequately and persist. We should expect people to innovate and do the highest-quality work and then reward them accordingly.
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