A Quote by Jeetendra
Were Sridevi and Jaya Prada rivals? Look, I worked with both extensively. I even did films in which both were my co-stars. I never saw then being anything but thoroughly professional with one another.
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Both Socrates and Jesus were outstanding teachers; both of them urged and practiced great simplicity of life; both were regarded as traitors to the religion of their community; neither of them wrote anything; both of them were executed; and both have become the subject of traditions that are difficult or impossible to harmonize.
It was a figure painting class, where you had a model, and [Robert von Neumann ] would wander around and he'd come up behind someone and say, "Well, what are you trying to do?" And if you told him what you were trying to do, he would then proceed to discuss this with you and suggest things that you might look at and ways in which you could improve what you were attempting to do, etc - never worked on your painting, never touched your painting but talked extensively about what you were trying to do.
Both my parents were huge stars. I would never have attempted to become as big of stars as they were because they lived in a different era.
My parents both worked; I was a 'latchkey kid.' We were lower-middle class, and they did everything that they could to give me anything I wanted, within reason. We were not rich by any stretch of the imagination, but being an adopted kid, I think we had a different connotation. My parents tried extra hard, I think.
They were not friends, Comdrade Pillai and Inspector Thomas Matthew, and they didn't trust each other. But they understood each other perfectly. They were both men whom childhood had abandoned without a trace. Men without curiosity. Without doubt. Both in their own way truly, terrifyingly, adult. They looked out into the world and never wondered how it worked, because they knew. They worked it. They were mechanics who serviced different parts of the same machine.
Mexican cinematographers Gabriel Figueroa and Emilio Fernandez were students of both Sergei Eisenstein and Toland. Their exteriors and lighting were gorgeous. And the films Ingmar Bergman did with Sven Nykvist were exceptional.
It was quite weird when we met, because we were both the ones who cooked in our own groups. When I was married, I did the cooking at home, same as Si did. It was like a parallel universe. We were both born hungry, weren't we?
Alan Ladd was a marvelous person in his simplicity. In so many ways we were kindred spirits. We both were professionally conceived through Hollywood's search for box office and the types to insure the box office. And we were both little people. Alan wasn't as short as most people believe. It was true that in certain films Alan would climb a small platform or the girl worked in a slit trench. We had no such problems together.
Debina and I were in a relationship from the days when we were nothing. And then we both went ahead in our careers together and when we started to get successful, the next step for both of us was marriage as we both wanted to graduate to the next level.
Lincoln and Clinton had a lot in common in the way they were elected: In both cases, they were dark horses. In both cases, they were from small states. In both cases, they were not the favorite for their parties' nomination.
The worst days of my life were in Iraq, and the best days were there, too. My fondest memories of the Iraq War are of the people - both Americans and Iraqis - and the opportunity we saw in one another, for our countries, and for which we fought.
We were both very much the same. We were both very impulsive. We both loved life. We both loved shopping. We both had a love of clothes, obviously, because he was the designer that I kind of wore forever and ever.
Twenty-two years ago Judge [then-Senator Stephen] Douglas and I first became acquainted. We were both young then; he a trifle younger than I. Even then, we were both ambitious; I, perhaps, quite as much so as he. With me, the race of ambition has been a failure--a flat failure; with him it has been one of splendid success.
I was 12 when I did 'Super 8,' and when Dakota was 12, she did 'War of the Worlds.' Steven Spielberg was involved with both movies, so we both worked with Steven when we were 12.
She had the face of an angel I saw mirrors in her eyes We were the same, she and I Both bound by potent lies. In him I saw my future In him I saw my friend In him I saw my destiny Both my beginning and my end.
I started composing when I was around 13, and back then, people used to say that I needed to be a composer or a performer, but I can't be good at both of them. I could never understand why anyone would say that. Jellyroll did both, Bessie Smith did both, and so did I.
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