A Quote by Jeetendra

There was a time when I used to enter the film studios in the morning and come out only at night. — © Jeetendra
There was a time when I used to enter the film studios in the morning and come out only at night.
As a kid, the only time I used to get out at night when I was in 9th and 10th standard. The only time I had permission to go out at night was during Navratri because we all used to go play dandiya and garba.
I used to work in a hotel kitchen at night and do theatre in the morning. After finishing my night shift - I did it for two years - I used to come back and sleep for five hours and then do theatre from 2-7 P.M. and then again hotel work from 11-7 in the morning.
Guided by His wisdom, strong in His strength, there maybe for you struggle and suffering, the darkness and the storm. "The disciple is not above His Master." There may be weeping that shall endure for a night, but joy shall come in the morning. If the night cometh, so also the morning, "a morning without clouds," the morning of an eternal day.
My father used to describe how he'd love going, early in the morning, out on a location and waiting for the trucks to arrive and the circus to come to town. That's what it's like, every day, when you're making a film. It's the magic.
Studios are so used to digital now and there is a mythology that it's cheaper. But it's really not cheaper. For instance, digital is great for night exteriors, everybody knows it's a video tap, so it's very responsive to light. So you can go out at night, shoot with digital and it's gorgeous, beautiful to look at . Conversely, you go out and shoot day exterior, and it slams you, just like you know from your own video recording.
The challenge in writing the songs for The Aristocats truly fell on the animators & director of the film. Robert & I wrote the initial songs for the film, just prior to leaving full-time employment at the Walt Disney Studios. Therefore, some of the songs we wrote for The Aristocats were never used. I believe, therefore, the challenge fell upon the makers of the film to select what songs made the final cut.
In the Jewish religion it says - in the time of deepest darkest night act as if the morning has already come
I wake up at 5:30 in the morning, get to the Pawn Shop at six, work out for two hours, film until seven at night.
There is a myth that Rahman sir only works at night. He works through the day and night, so it depends what time slot you end up working with him. Besides nights, I have sung for him in the morning and at noon, too. I think he's the first composer to work at night, and that's why it's spoken about so much.
Now the darkness only stays at night time In the morning it will fade away Daylight is good at arriving at the right time No it's not always going to be this grey.
Great songs come out of people's bedrooms; they come out of studios; there's no formula for it.
I’ve basically been working really hard for the past couple years. And the nature of the film business is that movies come out when they come out, and these all just happen to be coming out at the same time.
As a producer, the most important call you can get is on Saturday morning, when the Friday-night grosses come in. As a director, you want your film to be successful. But your outlook is a bit different. You become very conscious of the reviews.
I used to work until two in the morning every night, then still get up at six. Now, I have to help my daughter with her homework, spend time with my wife.
My first job was being a page at 'The Tonight Show.' I saw Jack Paar come out one night and sit on the edge of his desk and talk about what he'd done the night before. I thought, 'I can do that!' I used to do that on a street corner in the Bronx with all my buddies.
You just sort of get used to being one of the only women on set, so it's really refreshing to start to enter a time when that's not the case anymore.
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