A Quote by Jeff Ament
This isn't a mass-produced...instrument. Mike Lull Custom Guitars makes each bass right here in the NW. Over 20 years of collaborating, designing, and building basses has gone into my model.
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When you listen to a symphony orchestra, and the basses don't - there's no bass part, there's not that much depth. That's why I'm attracted to the instrument, the bass. It brings depth. It's like playing in a rainforest.
At the time, I didn't know that bass would not be enough for me. I'm not a bass player because bass is always a background instrument even to this very day.
Vocally, I don't think analogue makes that much difference, but with guitars, it definitely makes some difference. With drums and bass, absolutely.
Mike Elizondo had an incredible array of guitars in the studio, but they were all right-handed.
In 1972, I got my first electric bass and started playing the kind of instrument I play now. I found that the majority of musicians couldn't bear that. They are not used to listening to the bass because they think the bass is in the background to support them.
I don't look at my instrument as having one specific role; I was raised to go as far as you can. But Raphael Saadiq hated my bass. He told me to throw it away. And playing in Snoop's band, there was a time when my bass was more annoying to everyone than helpful. They would get on my case: 'Can you make your bass sound like more of a bass?'
I've just completed Mike's [Mann] Nature trick of adding in the real temps to each series for the last 20 years (i.e. from 1981 onwards) and from 1961 for Keith's [Briffa] to hide the decline.
The only way to make something cheaply today is to have it mass-produced. For example, you wear the same shoes as everyone else. If you had a fabber, you could custom-make shoes that perfectly fit your feet. Three-dimensional printing will help us move away from the mass consumption that is so deeply ingrained in our culture.
I like guitar. It just turned out that it's the instrument I learned to play. I have a lot of respect for it, and I'm learning more and more every day. For me, the classic band setup - guitars, drums, bass - will stay fresh forever. I don't know. I'm still into it.
I have two main bass guitars, and my main bass is a four-string 1964 Fender Jazz, and I've named it Justine.
I was working in a music store in London, and this particular place happened to be the importers for Rickenbacker guitars into England. So I started seeing these basses coming in.
But in the US, when you have two separate cultures, each with its right, each of which has come to exist in this political entity in the last couple hundred years, each feeling like, "I have the right to hold onto my culture," and that's what makes it difficult.
Symmetria by the Uccello Project is a gorgeous, instrumental and largely unclassifiable record. Best thought of as 'cinematic', each of the tracks conjures up a range of emotions and images, taking the listener on a beautiful journey. The layers of basses, guitars and percussion ebb and flow, drawing on jazz, folk, blues and African music, blending all the elements into one lovely album. Recommended.
I listened to many different types of instruments and music, and have always tried to look at the bass as an instrument as opposed to only a bass.
After she's gone, another brief lull sets in. This one is probably the last. But what good is a lull? It's only a breathing spell in which to get more frightened. Because anticipatory fear is always twice as strong as present fear. Anticipatory fear has both fears in it at once - the anticipatory one and the one that comes simultaneously with the dread happening itself. Present fear only has the one, because by that time anticipation is over.
I play bass. I play a bit of guitar. I've never been to a lesson, so my theory of music is non-existent in any instrument, but we always had guitars around. My dad taught me to play drums for 'Love Actually,' and I still play drums now. But I'm not a 'drummer.' I'm not a 'guitarist.' I'm trying to be a bassist.
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