A Quote by Jeff Beck
Can't stand it. Too many amps, too much volume, it's just flat-out ear assault. Speedy guitars leave me not feeling detached but physically upset. When you think of all the subtleties that were built into the guitar and amps for you to discover they completely cover the whole lot with a rack of effects. The guitar doesn't need that.
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These days, my main guitar amps have been Magnatone. They're beautiful. Magnatones have actual tremolo, which I recently learned about guitar amps. Often what guitar amps call vibrato is really just a volume Up and Down. But Magnatone has a true vibrato, which is pitch bending. And so, it's just a lush sound.
It took me a while to get an electric guitar and a bass and amps and stuff. Playing the acoustic guitar was much easier and more affordable. But I was always listening to the radio and was interested in all the rock and pop music.
I actually had a really nice guitar as a teenager. I took jazz guitar, so my mom bought me this probably $1,600 guitar. But I got really into garage rock and local bands, and I noticed they played really crappy guitars. So I thought, 'Hey, I should get a crappy guitar, too!'
I tried the guitar, but it had two strings too many. It was just too complicated, man! Plus, I grew up with Steve Cropper. There were so many good guitar players, another one wasn't needed. What was needed was a bass.
And if I would have taken lessons I probably wouldn't have done it, and what forced me to do all this weird stuff on the guitar was I couldn't afford effects pedals, I didn't have all this stuff when I was a kid so I just tried to squeeze all the weird noises I could out of the guitar, which brings me to building guitars.
You don't have to play a whole lot of guitar to be a good blues player. Some people plays too much guitar. Stack it on top of each other the way it don't - you're working too fast. Blues not supposed to be played fast. Blues supposed to be played slow. You could kill a man with just one chord.
I enjoy all kinds of music. But it is kind of strange when I do parodies, instead of setting up drums and guitar amps.
Ampeg made incredible guitar heads in the early Nineties and then stopped. And I don't know why. The one we used had a nice clean, warm sound, and it blended well with the other amps that were in the studio.
My stepfather met my mother when I was seven years old, and he was a guitar player. So he caught me messing with his guitar, his electric guitar, and he tried to show me some chords, but my hands were too small.
The gut-strung guitar, the classical guitar, that is a whole different world on its own. When you think what the guitar can do and what every individual player does with a guitar, everyone has their own identity coming through the guitar.
I learned a long time ago with guitars and amps or anything else, whatever band I'm in, I'm just going to sound like me anyway, so I just stay true to that.
I think one of the reasons I'm successful as a musician is that the first like 30 shows I played, I played with no monitors standing in front of guitar amps in a shitty, smoky warehouse where people were screaming and wasted, knocking over my gear. So shows after that seem pretty easy!
For me, I think the only danger is being too much in love with guitar playing.
The MUSIC is the most important thing, and the guitar is only the instrument.
It's interesting to see how acoustic guitars are emerging as a primary instrument once again ... reminds me very much of what Jim Messina and I were doing back then. You can't get too far away from an acoustic guitar
If a guitar is too easy for me to play, it makes me too laid back. I like to battle with my guitar.
I wanted something different. I'd been using the C+ amps for a long time, and I love them - they're one of my favorite amps ever. But on this album [Road Kings] I wanted - there were a couple reasons, actually. One is that I wanted a more aggressive sound, some more teeth and hair.
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