A Quote by Jeff Beck

When Jazz broke through in England, I remember sneaking to listen on the radio much to my parent's disapproval. — © Jeff Beck
When Jazz broke through in England, I remember sneaking to listen on the radio much to my parent's disapproval.
I was really small when jazz broke through in England and I can still remember sneaking off to the living room to listen to it on the radio - much to my parent's disapproval.
I listen to NPR when I listen to the radio, but I don't listen to the radio that much. You know, I listen to Garrison Keillor, I listen to 'Prairie Home Companion.'
I love jazz. So to me, there are two main types of jazz. There's dancing jazz, and then there's listening jazz. Listening jazz is like Thelonius Monk or John Coltrane, where it's a listening experience. So that's what I like; I like to make stuff that you listen to. It's not really meant to get you up; it's meant to get your mind focused. That's why you sit and listen to jazz. You dance to big band or whatever, but for the most part, you sit and listen to jazz. I think it comes from that aesthetic, trying to take that jazz listening experience and put it on hip-hop.
The Schnauzer listens to jazz. I listen to jazz because he likes it, and I have even gone to jazz concerts with him, but truthfully I would rather listen to retarded children pounding on pan lids with wooden spoons.
Because we spent so much time in the States in the beginning, we weren't able to do so much in England. It was slower catching up. And we didn't have radio here like what was called underground radio over there. So we got these little slots on the BBC.
I listen to so much, I listen to a lot of reggae. Obviously I listen to hip-hop, that's what I make. I listen to soul. I love jazz. I love all types of music.
When you are studying jazz, the best thing to do is listen to records or listen to live music. It isn't as though you go to a teacher. You just listen as much as you can and absorb everything.
I did listen to 1920s jazz or Al Johnson and a lot of early singers coming out of England. I would branch out a little bit to get a sense of the world that he might be coming into, in the '30s when jazz was changing.
I became a radio nut. I loved the afternoon serials, and I got into jazz through the radio. I had a subscription to Down Beat when I was 12. And I'd spend a lot of time in front of the minor, miming records.
There's not much radio in the UK, really. In America, you're in a car, factory, wherever, and you turn the dial on the radio, and can hear about a million stations. Hardly any in England.
The radio's pretty much always on, and I also listen to some American podcasts, such as for 'National Public Radio' and 'Newsweek'.
Jazz is smooth and cool. Jazz is rage. Jazz flows like water. Jazz never seems to begin or end. Jazz isn't methodical, but jazz isn't messy either. Jazz is a conversation, a give and take. Jazz is the connection and communication between musicians. Jazz is abandon.
As a kid I loved to listen to the radio, later I became a radio artiste and would listen to the BBC.
On the radio I listen to the easy-listening stations, the jazz stations.
Every now and then, I might listen to music, but I try not to listen to it too much because when you turn on the radio and hear the same song over and over again. You won't appreciate it as much; it won't be as fresh.
Horses pretty much broke as a record in England.
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