A Quote by Jeff Beck
I do a very poor man's pedal steel on the Stratocaster.
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Since I first picked up the violin, I've been very interested in tone and texture: I would have very visceral reactions to the texture of a snare drum or a pedal steel guitar or a violin.
So you know when you were work on Man of Steel, in 10 years somebody is going to do the music for Man of Steel, and a different director is going to be doing Man of Steel. That’s the reality. So all you can do is to give it not only your best, but your vision on what this character is, when you become one with that character.
My main pedal is the Ibanez Analog Delay, the AD9 or the AD80, whichever one it is. That's my go-to pedal for short delay. I don't think I could live without that pedal.
When I see a room full of people pedaling away on stationary bikes, I fall into an existential spiral. It's confirmation that all we do as humans is pedal, pedal, pedal, and go nowhere. We're just specks of dust in the universe, riding 1970s stationary bicycles.
I came from the most humble side of society, and I know what it's like to be poor, really poor, and I was brought up in the '60s and '70s very poor, and I'm very happy flying the flag for the working man.
I thought it was hilarious when 'Brace for Impact' was released, and people said I had abandoned country, even though the song is dripping with pedal steel. If anything, that tells me I'm making progress.
My father was a poor man, very poor in a British colonial possession where class and race were very important.
Every part of every song can have a totally different musical sound, because otherwise if I wanted to go from a verse of one song to the chorus of another, I'd have to go: "Uh, okay, press that pedal and then... press that pedal, and then press that pedal off."
To be a poor man is hard, but to be a poor race in a land of dollars is the very bottom of hardships.
You take a look at what's happening to steel and the cost of steel and China dumping vast amounts of steel all over the United States, which essentially is killing our steelworkers and our steel companies. We have to guard our energy companies. We have to make it possible.
I was not using the gears I usually do for time trials - it was either hard [gear] to pedal, or really low [gear] to pedal; [that] was something special of today.
A poor spirit is poorer than a poor purse. A very few pounds a year would ease a man of the scandal of avarice.
Steel is such a nice material to use. It can move. It's terribly easy, you just stick it or you cut it off, and bang! you're there: it's so direct. I think Manet was very direct, he didn't prepare his canvases like Courbet, he just put paint straight on and it's very like that with steel.
The Poor Man whom everyone speaks of, the Poor Man whom everyone pities, one of the repulsive Poor from whom charitable souls keep their distance, he has still said nothing. Or, rather, he has spoken through the voice of Victor Hugo, Zola, Richepin. At least, they said so. And these shameful impostures fed their authors. Cruel irony, the Poor Man tormented with hunger feeds those who plead his case.
Good steel bends, but never breaks. Good steel stays always sharp and ready. Good steel feels no pain, no pity, and above all, no remorse
When the back-to-the-cities trend started taking root, albeit very unevenly, cities were so glad to finally land deals that they routinely overpaid, not having a solid grasp of the demographic and market forces they should have been channeling instead of subsidizing. It’s especially true for retail and entertainment projects, which generate very poor-quality jobs. I have yet to find a city that has figured out how to ‘take the foot off the pedal’ and stop over-subsidizing, even when gentrification becomes a problem.
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