A Quote by Jeff Beck

The only way you can get Scotty Moore's tone is with a big hollowbody guitar. — © Jeff Beck
The only way you can get Scotty Moore's tone is with a big hollowbody guitar.
It was Scotty Moore's guitar riff [in "I Want You, I Need You, I Love You"] when he was doing The Steve Allen Show that got me into rock music.
I was an original Elvis fan. He was the voice of my generation. I was listening to him on the radio when he released his great Sun records with Scotty Moore on electric guitar and Bill Black on bass.
Scotty Moore plays one of the first really amazing riffs in rock history on Heartbreak Hotel with Elvis Presley ... it was dangerous, it scared everybodys parents, which was part of the attraction then - as it still is now... it totally blindsided me and made me want to get a guitar and do that.
The records that I like, they have life and warmth and soul in them. Like the slap back on Scotty Moore's guitar on 'Mystery Train.' You're not gonna get that in a computer. You're gonna want a live room, you're gonna wanna bounce the tape, you're gonna want real musicians, in a room, vibin' off of each other.
There is a great book out called 'Everything I Needed to Learn I Learned in Kindergarten,' and I believe that everything I ever needed to learn on guitar was in my first two years of hungry learning: Scotty Moore, Hank Marvin, Chet Atkins, Lenny Breau, Chuck Berry and Bo Diddley.
My first guitar was an Ibanez semi-hollowbody, I think it was called the Artist, from the early '80s.
The only new technology that interests me is when it sort of throws me back soundwise. And I can think, "Wow, that means I can go onstage and sound like Scotty Moore now and again!"
I first met Jimmy Page in London in 1961, and he was listening to James Burton, Scotty Moore and Cliff Gallup with Gene Vincent, as was I ... these were the rock and roll guys who really sparked our interest in the guitar, and later we delved into other things and went different directions ... during my time with Eric Clapton, we talked about what we'd listened to early on, and he was a huge fan of Chuck Berry and Jerry Lee Lewis
My all-time favorite rock and roll players were Scotty Moore, Chuck Berry and Franny Beecher, and I listened to the country playing of Merle Travis.
I just see many, many untruthful things. I see tone, the word tone. The tone is such hatred. I'm really not a bad person, by the way.The tone is such - I do get good ratings, you have to admit that.
[On writer George Moore:] ... I grew curious about Moore. Yet when at the rehearsal of 'Countess Cathleen' in some dark by-way of London, I was told he was present, I cannot recall any form, only an irritation in the dusty atmosphere.
Maybe Scotty the Potty turned into Scotty the Hottie. Have you thought about that?
I knew Scotty was going to win. At the beginning of the episode, I was like, 'Scotty, are you ready to win?'. I knew he was going to in my heart. I accepted it. I couldn't pick a more perfect person to get second place to. He's my best friend.
I really didn`t have to work, shall we say, with "Star Trek." It was a natural. When I opened my mouth, there was Scotty. It`s like I tell people what you see in Scotty is 99% James Doohan and 1% accent.
The blues appealed to me, but so did rock. The early rockabilly guitarists like Cliff Gallup and Scotty Moore were just as important to me as the blues guitarists.
I want a big career, a big man, and a big life. You have to think big - that's the only way to get it... I just couldn't stand being anonymous.
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