A Quote by Jeff Bennett

I lucked out. I got in just when animation just started to take off. — © Jeff Bennett
I lucked out. I got in just when animation just started to take off.
It wasn't until I started to do 'Poison River' that the readership started falling. 'Poison River' started out very slowly and simply, but then it got really dense and complicated. I don't know, I think the readers just got fed up or burned out. They started dropping off.
I have had wonderful times and educated two children with my husband, and I just consider myself very lucky. I've had a very interesting career - I've been all over the world. I lucked out; I think you can say that: I really lucked out.
Every kid has a bug period, I like to say, and I just got so fascinated and I had that experience, that wonderful life of being able to go out on my own without really any supervision at all. I just lucked out that way. I was trusted as a kid.
[A fan] said, 'What can I do to get your attention?' I was like 'Um, just take your clothes off.' She stood there and frantically started taking her clothes off and got dragged out of the room by security.
'Red Robin' was just another audition, like a lot of other auditions. I just lucked out, and I got it. It's a great group of people I get to work with. Roger Craig Smith and Will Friedle and a bunch of guys. It's fun!
One thing I love to do when I'm working out is take my watch off, take my heart strap off, and just run - not for time, not for exertion, but just to get the blood flowing.
When I got out of the Army, I started writing the usual 'Catcher in the Rye' imitations, and then I wrote something that was done Off-Off Broadway in a theater. It was called 'What Else Is There?' and it was four or five people playing missiles in a silo waiting to take off.
I actually started an adult book, worked on it for about two years, and then decided it just wasn't coming together for me, and thought I'll go back to children's books, and almost immediately I started 'Holes,' and it just seemed to take off on me.
When I got out of school, I just started doing plays of the off-off-Broadway route, and for many years, that's what I did, slowly doing work in tiny theaters, building relationships with people in the business. It's not a showy story.
When I was on Broadway, I got really sick with walking pneumonia. I decided not to take my health for granted anymore and make it a priority. The great thing is, the pounds just started to fall off.
Swishahouse, it started off as just a crew making mixtapes and that's when I got down with it back in like 1998. It wasn't a record label at first. It was all just for promotion, for fun, and we just had a crew representin' for our hood.
I lucked out when I started to sing. I'd already experienced failing at everything else.
I just do what I got to do and go out and be myself, on and off the court, and take care of my obligations. That's generally your own destiny-knowing what you have to take care of.
I think the No. 1 lesson I learned from 'The Simpsons' was just that animation could be as funny as live-action. That animation could be funnier than live-action. That animation didn't have to just be for kids.
In New York, we get down. In L.A., everybody's pretty much standing around like they're at a keg stand. You got to get the party started, so I just take my shirt off.
Being in front of a camera, in a nice dress, getting all dressed up, is extreme. There's a lot of other extreme situations, you know, just getting out of bed sometimes is extreme - but I do it. Just got to do it, just got to get up. Put your sweatpants on, brush off the dog hair and just get out of the house!
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