A Quote by Jeff Bridges

Seeing David Mackenzie's work in "Starred Up," I thought that was a wonderful film. — © Jeff Bridges
Seeing David Mackenzie's work in "Starred Up," I thought that was a wonderful film.
I thought bringing those two [Taylor Sheridan and David Mackenzie] together, odds are you're going to come up with something pretty good.
David Benioff can hardly be classified as an underdog. The 2002 film adaptation of his first novel, 'The 25th Hour,' was directed by Spike Lee and starred Edward Norton.
One feature film that I am most proud of is Forrest Gump which starred Tom Hanks. Once you are called out to work in film, yes it is a small industry and your name gets around pretty fast.
David Mamet was great to work with. He was everything that I thought he would be as a director. He's incredibly articulate, an easy collaborator. Extraordinarily knowledgeable about film and writing.
David Attenborough... has that wonderful, breathy voice, and he's always so fascinated by what he's seeing. There's nothing about him that I can't find attractive.
When I was a teenager, I thought maybe I'll be a filmmaker, making film documentaries. My dream when I was a girl was I would be hired by 'National Geographic' or work with David Attenborough, but it didn't happen. I became a model.
A lot of it came from seeing how kids responded to the character. They would dress up and some would reenact the sketch in its entirety and it got us thinking about those Halloween specials we'd see on TV as a kid, and we just thought 'David Pumpkins' would work perfect for sort of a throwback nostalgic Halloween special.
I like Taika Waititi a lot. I thought 'Boy' was a really wonderful film, had great resonance. Very sad but also very funny. I thought 'What We Do in the Shadows,' the vampire film, was fantastic.
Comparing 'Christmas Vacation' to 'It's A Wonderful Life' is the silliest thing. That film starred the greatest movie actor of all time, and the idea that our movie could ever be connected in some fashion to something so brilliant and beautiful always made feel like, 'That's all they had to write about?'
I thought of the scene while writing scenes with Rebecca [Hall] and wrote it like an opening montage of showing where someone works. If you see a film about a car mechanic, you'd show the place they work and what they do. So, that's what I set out to do with Rebecca's character. I thought it probably wouldn't even make it into film but I ended up liking it.
It must be hard to be a female in a David Mackenzie movie. I feel like women in his films are portrayed a certain way - like broken people.
I’m loving doing Outlander. We’ve got a great cast and we’re up in the Scottish Highlands. […] It’s big budget, they’re spending a lot of money on it. They’re going for a very gritty and realistic portrayal of the Highlands and I play Dougal MacKenzie, the War Chieftain of Clan MacKenzie. As that implies, he’s quite the serious character. There’s lots of political intrigue, there’s romance, there’s adventure and action and there’s time-travel.
I would love to work with Raju Hirani. I never thought I would have a wish-list of directors as such, but after seeing the consistency of his storylines and the human touch he gets in his film, I would love to work with him.
When you work so hard on making a film, it's all worthwhile when you get to experience seeing that film with an audience who thoroughly enjoy it and react to the movie.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
And as far as I know about Alix's [MacKenzie] work, I don't believe she ever did any sculptural work at all. It was always pottery.
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