A Quote by Jeff Bridges
Once, during an interview in front of my wife, I was asked, "Are you one of those actors who brings your character home? Do you stay in character?" I said, "No, not really. I don't do that," and she started laughing. I asked her why. She said, "Well, you might think you don't bring characters home, but you do." So, while I don't feel like a character is lingering, it probably is.
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Some girl asked me for an autograph and I asked her why, she said because she admires me. I said she should see a shrink. Then she started crying and I started laughing.
Why does she want me?" Coraline asked the cat. "Why does she want me to stay here with her?" "She wants something to love, I think," said the cat. "Something that isn't her. She might want something to eat as well. It's hard to tell with creatures like that.
When my wife drives, there's always trouble. The other day she took the car. She came home. She told me, There's water in the carburetor. I asked her, Where's the car? She said, In a lake.
That's when I asked her where was that actress She said "That was somebody else" And then I asked her why she looked so happy now She said "I finally like myself, at last I like myself.
She asked me what was wrong, and I told her I had to end it. She was surprised, and asked my why I thought so. I told her it wasn't a thought, more a feeling, like I couldn't breathe and knew I had to get some air. It was a survival instinct, I told her. She said it was time for dinner. Then she sat me down and told me not to worry. She said moments like this were like waking up in the middle of the night: You're scared, your'e disoriented, and you're completely convinced you're right. But then you stay awake a little longer and you realize things aren't as fearful as they seem.
She said, 'I'm so afraid.' And I said, 'why?,' and she said, 'Because I'm so profoundly happy, Dr. Rasul. Happiness like this is frightening.' I asked her why and she said, 'They only let you be this happy if they're preparing to take something from you.
Sometimes we adopt certain beliefs when we're children and use them automatically when we become adults, without ever checking them out against reality. This brings to mind the story of the woman who always cut off the end of the turkey when she put it in the oven. Her daughter asked her why, and her mother responded, "I don't know. My mother always did it." Then she went and asked her mother, who said, "I don't know. My mother always did it." The she went and asked her grandmother, who said, "The oven wasn't big enough."
She didn’t understand why it was happening,” he said. “I had to tell her she would die. Her social worker said I had to tell her. I had to tell her she would die, so I told her she was going to heaven. She asked if I would be there, and I said that I would not, not yet. But eventually, she said, and I promised that yes, of course, very soon. And I told her that in the meantime we had great family up there that would take care of her. And she asked me when I would be there, and I told her soon. Twenty-two years ago.
The thing I'm writing now, I have various characters, and all of a sudden, out of nowhere, this couple dies. And they have a daughter. ...I thought, 'OK, we have to do something with the daughter' ... then I realized she's not really their daughter. She has her own story. And she's become the most interesting character. She was this throwaway character that I didn't even conceive of before I started writing her into it, and now she's become very important in this book.
I knew that our time together was almost over, I asked her if she liked sports, she asked me if I liked chess, I asked her if she liked fallen trees, she went home with her father, the center of me followed her, but I was left with the shell of me, I needed to see her again, I couldn't explain my need to myself, and that's why it was such a beautiful need, there's nothing wrong with not understanding yourself.
''Women of the Gallagher Academy, who comes here?" she asked. Just then, every girl at every table (even the newbies) stood and said in unison, "We are the sisters of Gillian." "Why do you come?" my mother asked. "To learn her skills. Honor her sword. And keep her secrets." "To what end do you work?" "To the cause of justice and light." "How long will you strive?" "For all the days of our lives," we finished and I felt a little like a character in one of my grandma's soap operas.
So many people have said that to me, that what they really like about Alex is what she brings out in Marissa, and what this situation brings out in her, a hint of happiness and another side to her character.
When I was asked to play the lead character Mohini in Avunu' I asked Ravi Babu why he chose me. He said he wanted someone who can act well. I felt nice.
The Olinka girls do not believe girls should be educated. When I asked a mother why she thought this, she said: A girl is nothing to herself; only to her husband can she become something. What can she become? I asked. Why, she said, the mother of his children. But I am not the mother of anybody's children, I said, and I am something.
As he was about to leave, she said, "Murtagh." He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, "Why?" She though he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, "You know why.
I loved 'Tin Cup' because even though that character had her own career and was strong, she was pretty confused. I think she was my favorite character because she was well-rounded. She didn't have it all together.
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