A Quote by Jeff Bridges

You liked the freshness of it, c'mon try it" and I said "oh God, I read it three of four times" and finally I said "all right, I want you guys to organize a reading and I want you to be there to see how terrible this is not going to work at all", so we had a table like this, and read the script, and it was just great.
I didn't want to teach my kid how to read, so I used to read to him at night and close the book at the most interesting part. He said, “What happened then, daddy?” I said, “If you learn to read, you can find out. I'm too tired to read. I'll read to you tomorrow.” So, he had a need to want to learn how to read. Don't teach children how to read. Don't teach them mathematics. Give them a reason to want it. In school, they're working ass-backwards.
On 'Lab Rats,' I read the script probably three or four times before we ever even do a table read because I want to be completely prepared. And I want to know exactly which beats I have to hit and where I need to make something comical. Some lines need a little more than others do just to get the point across, to get the joke to be funny.
As we were negotiating, I didn't have a script. Once the deal is closed, they let you read the script. So, I got the script and was reading it like, "Oh, please be good!," because I'd already signed on the dotted line. And I read it and just went, "Okay, I'm going to be okay. Thank god!" It was a really funny, moving story.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
I read an interview with Daniel Woodrell once where he said something like, basically, if people had said what they said to him in a bar instead of workshop, he would have punched them...and I finally understood that when in a class with my wife. Every time someone said something about her work, I wanted to climb across the table and stab them in the neck with my pen. And these were people I liked and respected.
My friends from school did this incredible thing, where they made me a scrapbook filled with all of the screenshots from our group WhatsApp, where I had said, 'Oh my God, guys, I've been invited to read.' Or a random conversation we'd had four years ago when I said, 'Isn't Diana amazing!'
It always starts with a script. I like to have plenty of time to read something, and I always like to read a paper copy. I hate reading it on email. I sit down with a script, and want to see how it hits me. It's an instinctive process.
I always tend to see, right after reading the script, the character and how I want to play it. I guess that's sort of most of the work, preparing for the role, but almost the creation of the character seems to go on as I read through the script.
I don't remember what script it was, but at the Monday table read, the [opening] teaser didn't work.We went back and had to think of a new teaser, and [after] four hours, five hours, we weren't landing on anything.And it was probably Glen [Charles] who said, "What are we, cowards?" You had to do it, no matter how long it took.
I feel guilty if I'm not reading books, but I read scripts of movies or things that I know I'm committed to that I'm going to do the project. I tell myself, "I'm going to read this script like six times," and I only read it the initial time.
My brother said 'I want to start acting,' and me and my sister just said, 'Oh we'll try it, we'll see.' It was just one of those things - we were just like, 'Oh, we'll see what happens.'
After I found out that I was playing music and that I'd have to learn how to read and write music, I started doing that about two years later. Finally, I said, "Oh, that means what I really want to do is to be a composer." But when I was coming up in Texas, there was segregation. There was no schools to go to. I taught myself how to read and how to start writing.
I am a grenade," I said again. "I just want to stay away from people and read books and think and be with you guys because there's nothing I can do about hurting you: You're too invested, so just please let me do that, okay? "I'm going to go to my room and read for awhile, okay? I'm fine. I really am fine: I just want to go read for a while.
I think I first encountered Ebola from the movie 'Outbreak.' Then there was the book 'The Hot Zone.' It's the type of thing you either read and say, 'Oh wow, that's terrifying,' or you read it and say, 'Oh wow, I want to do that.' I read it and said, 'Oh wow, I want do that.'
I worked so hard on that role [of Debra in Dexter]. And I barely worked on Rita. But I read for casting - both parts - and they said, "That's great, we're going to bring you in for producers." So I read for some producers - both parts - and they said, "That's great, we're going to bring you in to meet the creator." And I went in, and as soon as I walked in the room, he looked at me and he said, "Oh my god, you're our Rita!" And I said, "No! I'm Deb! I'm a total Deb!" "No, you're Rita!".
My children give me a great sense of wonder. Just to see them develop into these extraordinary human beings. And a favorite book as a child? Growing up, it was 'The Lion, The Witch and The Wardrobe' - I would read the whole C.S. Lewis series out loud to my kids. I was once reading to Zelda, and she said 'don't do any voices. Just read it as yourself.' So I did, I just read it straight, and she said 'that's better.'
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