A Quote by Jeff Bridges

My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that. The reason I do that is because I know what it takes once I engage, what that means for me personally and for my wife.
My M.O. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me. I'm in this wonderful position to be able to do that.
My m.o. as far as choosing projects is I really try not to work. I try to not do the scripts that are offered me.
I was offered more work after the Oscar. When I was younger, I would take whatever I was offered because it was money and work and experience. In a way, choosing is the hard part. I know that's a luxury problem, but it's true. I try to go where passion takes me.
I really try hard not to work, not to engage, because I know what that means. What hard work it is; it takes me away from my family.
There've been moments where I just was tired of being in L.A. It was very difficult. I mean, you're constantly rejected. And that's OK, it's just really frustrating for me, because I try to read scripts and projects that have really great, deeper, meaningful qualities to them.
I just try to keep going and work on projects that are exciting to me, with people I respect and enjoy and want to work with. That takes me in different directions sometimes, but it's all been a pretty good ride.
A wonderful pastor I know once told me, "Perfectionism is the highest order of self-abuse." So now I try to remind myself that if I engage in perfectionism, I am abusing myself. Period.
To me, healing means you have to recognize there is a wound and you try to understand what the sources of the wound are, which means you try to tell a story about how it came to be. So you have to engage in some historical interpretation.
Every once in a while, I hear somebody call me Tracy to try to let me know that they know me, you know, personally. But most of my real friends will call me Trey, or 'Ice' was basically short for Iceberg. So they would call me - some of my boys call me Berg.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
I always try to pick projects by: Is this something that excites me? What are the people like to work with? Obviously you spend a lot of time in a room together with them, so I always try to find projects that hopefully have great people attached.
I sift through the scripts offered to me and see what is worth attempting, because I think there is no point in wasting your time in doing something which you are not too keen on. I try and do whatever I feel interested in.
I know the position I'm in. Guys are going to try and take me out, but I got to be able to overcome it all and not let those type of things affect me.
I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.
If I'm not playing well, I do get down on myself because I am a perfectionist. [So I need] someone who believes in me more than I believe in me, someone willing to work as hard as I work. I don't understand what no means or what failure means; I only understand what yes means and try again means.
It's pretty easy for me because I have a wonderful wife. We put God first and it takes a lot of hard work.
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