A Quote by Jeff Bridges
Nowadays, in the contract that actors sign, you have to agree that you're going to do a certain amount of publicity-the hard part they don't pay you for.
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When you make a film, you sign a contract with somebody, and it's not only legally binding but morally binding. You agree to give this man a certain number of weeks of your life, and you just go for it as much as possible. Because, whatever happens, the film is going to come out, so you might as well try very hard to make it a good one.
I remember a meeting I had at MGM. It was at the end of their reign. They say we have you under contract, and because you’re under contract, we’d like to you to work. I said, well, that seems fair. But if it’s a really good movie, they were going to give it to a particular actor that was not under contract. The bottom line was they were going to pay you more if it was a bad one and pay you less if it was a good one.
Once you sign a contract that states that you're going to have to fight this other man for a substantial amount of money, things change psychologically.
I think that you sign a sort of unwritten contract when you become a public figure, when you become an actor, that you're sacrificing a certain amount of privacy and parts of your life change.
I know actors who court personal publicity because they believe no publicity is bad publicity.
When I turned 16, my dad made me sign a contract - he made us sign contracts for everything - that if I hit my car, I would be responsible for paying for it. I was in bumper-to-bumper traffic, and I tapped someone. It was so not a big deal, but I had to pay for it.
If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength.
If the label presents them with a contract that the band don't want to sign, all the label has to do is wait. There are a hundred other bands willing to sign the exact same contract, so the label is in a position of strength
When I write a goal down - and I truly write them down - it becomes a part of me. That's a contract that I sign with myself to say, 'I don't care what happens - I'm going to stay on this path. I'm going to try and see this through; I'm going to give it my best shot, my best effort.'
There was a time when the FCC tried to require a certain amount of television and media to be educational, a certain amount to be newsworthy and a certain amount of it to be public access.
I don't agree with the way labels are set up. I don't agree that anyone should sign 360 deals or sign away their publishing or take most of the infrastructure that's included in a formal deal.
A beautiful deleveraging balances the three options. In other words, there is a certain amount of austerity, there is a certain amount of debt restructuring, and there is a certain amount of printing of money. When done in the right mix, it isn't dramatic.
I don't agree that everyone should agree with everyone's lifestyle. I think that some people aren't going to agree, but I think that when you're mean and when you ridicule people it's a sign of your own insecurities.
I think the work is the same in Indie films or blockbuster. It's just a difference when you do all the publicity. It's like another job. I remember the first time I did The Dreamers. I went to Venice; quite a good amount of publicity, a lot of round-tables and TV. I was just not expecting that. I thought I was going to visit Venice, but actually no.
I like my films to have a certain amount of realism - something that's thought provoking and intelligently written. More than the amount on the pay cheque, I look for a level of respectability as an actor.
I'm not willing to sign a contract. They want everything. They want the rights to do the movie and everything else they can think of, forever. There's no limit to the contract. In this universe and universes to be discovered - I'm not making this up - this is in the contract.
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