A Quote by Jeff Bridges
A large part of acting is just pretending. You get to work with these other great make-believers, all making believe as hard as they can.
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Can you explore real issues as a fake character? Yes - it's called acting. Or fiction. But acting is not a method of engaging with the actual world, just as pretending to know what a character might eat does not a novel make - much less make that make-believe real.
Every training session you take part in, you have to work very hard and train hard because there is no other way to get where you want to be - it's not a secret and not a magic formula - just hard work and application.
I don't consider this hard work. I love it, and I think I get to make a difference. I really believe in Secretary Clinton, and I want to feel like I'm part of making a difference; I really do.
Pretending is not just play. Pretending is imagined possibility. Pretending, or acting, is a very valuable life skill and we do it all the time.
Anyway that's a large part of what economics is - people arbitrarily, or as a matter of taste, assigning numerical values to non-numerical things. And then pretending that they haven't just made the numbers up, which they have. Economics is like astrology in that sense, except that economics serves to justify the current power structure, and so it has a lot of fervent believers among the powerful
Part of diplomacy, the hard work of diplomacy is trying to extract whatever concessions you can get, and giving something the other side wants. Of course you've got to try to make peace with, and work with those who are your adversaries, but you don't just rush in, open the door, and say, "Here I am. Let's talk and make a deal."
You're all Buddhas, pretending not to be. You're all the Christ, pretending not to be. You're all Atman, pretending not to be. You're all love, pretending not to be. You're all one, pretending not to be. You're all Gurus, pretending not to be. You're all God, pretending not to be. When you're ready to stop pretending, then you're ready to just be the real you. That's your home.
The most significant piece of advice my father gave me early on about acting was, don't get caught acting. Really believe in what you're doing and then commit to it. Even if it feels uncomfortable, even if you feel that you're gonna look like an ass. It's all acting, but find the truth in a moment as opposed to just pretending you have and rather than trying to act your way out of it.
When I'm acting, I wish I was out there, being a part of it and making it. It's all on your name to do that. It's your vision. You're going to get slandered for your work, and I like that. As an actor, it's so hard. I'd rather direct than act.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
I always have a rule that acting is acting and truth is truth and you just go out there and you do it. But what happens in each medium is that you have other responsibilities. The acting remains the same, but each medium dictates assuming other halves to make the acting work.
Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it.
I was the youngest child and really spoiled. I loved to play make-believe. I loved pretending to be all kinds of different people and it just seemed natural that I would go into acting.
I believe that a large part of the training in the regional theaters is in imitation of the British style of acting. The British orientation is textual; they start from the language and work toward the character.
Honestly, acting is the most work when you're unemployed. For me, the actual acting part is never hard. It's the politics and basically everything around the acting that is difficult.
Most people want to become movie stars and I just want to be in the business. I already was a star. If I get the part of a lifetime and it blows up, then that's wonderful. But if the acting doesn't work, fine. I'll just be a producer. And if the producing doesn't work, fine. I've got a lot of other stuff.
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