A Quote by Jeff Bridges
Every time I walk down one of those red carpets, you think I'd be used to it after all these years, but it's like it's happening for the first time.
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Red carpets are awful. They're like a kind of purgatory - you stand there, and there are cameras flashing everywhere. One of my first red carpets was in Cannes for 'The Great Gatsby,' and I'd never seen anything like it.
The same costume will be Indecent ten years before its time, Shameless five years before its time, Outre (daring) one year before its time, Smart (in its own time), Dowdy one year after its time, Ridiculous twenty years after its time, Amusing thirty years after its time, Quaint fifty years after its time, Charming seventy years after its time, Romantic one-hundred years after its time, Beautiful one-hundred-and-fifty years after its time.
I can certainly be part of the socialite group and walk those carpets every day, but I choose not to because I prefer to be grounded. You can't be at home and on the red carpet.
I never get used to the red carpets and premieres, to be honest, but when you're walking down the red carpet promoting stories such as 'Mabo,' it means everything to me.
I like when red carpets are over. I hate red carpets in general. I don't understand them.
While red carpets always existed, the importance given to fashionable appearances wasn't that much in the mainstream music space. And now, even though everyone walks the red carpet, singers are expected to just walk down without waiting to be clicked or celebrated.
I'm a huge fan of Jonathan Van Ness, but that was the first time that I had met him on the Gay Of Thrones set, and as soon as we sat down, it was clear that just about anything he was going to say I was going to have no idea what it meant. I have literally no idea, so that ended up being a really fun bit to find, like "The old man doesn't know what kids talk about." We started talking about red carpets. I was taught how to stand on the red carpet. Put your hand in your pocket and that's it. That's literally all a guy has to do.
I've been to Africa many times in the past 20 years, but I can't believe this is the first time since the very first Red Nose Day, that I've been back to Ethiopia. The last time I was here was just after the famine and it was crazy, there were people all over the place, kids without families, aid workers, camera crews.
One cannot walk down an avenue, converse with a friend, enter a building, browse beneath the sandstone arches of an old arcade without meeting an instrument of time. Time is visible in all places. Clock towers, wristwatches, church bells divide years into months, months into days, days into hours, hours into seconds, each increment of time marching after the other in perfect succession. And beyond any particular clock, a vast scaffold of time, stretching across the universe, lays down the law of time equally for all.
When you start a movie, it's not like other kinds of work that you have when you know your boss for years or colleagues for years. You're meeting everyone, mostly, for the first time. You have to get comfortable with those people so you can perform, because the first thing that is going to shut you down is any kind of anxiety.
I think a lot of young girls see actresses, and they think of red carpets, and they think of 'Us Weekly,' and they don't really think about the breaking down of a script and what that requires and what you would need to pull it off.
There's a staircase on the first floor of the Capitol that I walk every day. It's made of marble, and as you walk those steps, you think of those who've walked before you. You think of the challenges that the country's faced.
I used to have visions of flashing lights and red carpets.
I'm half-Mexican - get used to it 'cause in about five to 10 years, you're all gonna be related to one. Whether you like it or not, no matter how much you prepared your family, you're gonna show up at Thanksgiving one of these years, you're gonna walk in and say, 'Hey! What's happening? Since when did we start serving flan?' Well, what's happening is that somebody's boning a Latino.
What I had to do was learn how to tell stories with my pictures. At first I didn't even know what that meant because I thought I was already doing it. After all these years of drawing stories and trying to teach it, I think it boils down to a pretty simple rule: it takes time to get to know the characters in a book and the world they inhabit. My first sketches are always horrible. Stereotypical. Contrived. Generic. I have to put in the time in order to deepen them and have it all mean something.
I feel like I'm way too young to wear such heavy makeup all the time. It's just bad for your skin, but I'm always doing photo shoots or red carpets and events, so I obviously want to look good.
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