A Quote by Jeff Britting

After each performance of an Austin Shakespeare production, audiences are invited to stay for a ten-minute discussion of the work. And this tradition continues in our New York run.
I've lived in New York all my life, and we went to the Mormon Pageant each year in upstate New York. It still is a wonderful production. I remember going and seeing the performance and listening to the music. My father had Mormon Tabernacle Choir music, and we would listen to it and sing with it.
Our creative communities in Nashville, in L.A. and New York, and in Austin, those are communities you want to see stay viable.
I found myself fascinated by neuroscience, attended a monthly lecture on brain science at the New York Psychoanalytic Institute, and was invited to become a member of a discussion group devoted to a new field: neuropsychoanalysis.
Let's help each other. New York, because New York is first. And then after New York, and after the curve breaks in New York, let's all rush to whoever's second. And then let's all rush to whoever's third. And let's learn from each other and help each other.
If I don't have an ability to go the places that I have been invited to show at and to speak at and to feature my talent, well then, I am going to stay here in New York City and work my butt off.
Kids from New York usually don't stay in New York anymore: they go to prep schools and all sorts of stuff nowadays. I'm just happy to be one of the guys in our league from New York, to represent.
I'll never forget watching my dad perform in a Shakespeare in the Park production of 'Richard III' in New York.
In the tradition of the classic songwriter rooms like The Bluebird in Nashville, Strange Brew is a gift to the music community in Austin, for artists and audiences alike
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
I was invited to play with the New York Knicks. I was never drafted, but I was invited to the rookie camp.
I interned at NBC News and had a great experience there in both New York City and Washington. After graduating, I got an entry-level production job at PBS in Boston. There, I developed the bug for programming and production.
I kinda feel like if I can do what I like in New York - and I like New York, I was born in New York, I have a lot more of a connection to New York - the hope is to stay in New York.
When I lived in London when I did 'Wicked' there, everyone told me the audiences might be much more reserved, but I found it was completely the opposite. They jumped to their feet sooner, even more enthusiastically than the New York audiences did, and they were just as warm and as enthusiastic and supportive as New York.
Creativity builds upon the public domain. The battle that we're fighting now is about whether the public domain will continue to be fed by creative works after their copyright expires. That has been our tradition but that tradition has been perverted in the last generation. We're trying to use the Constitution to reestablish what has always been taken for granted--that the public domain would grow each year with new creative work.
The North Country of New York is a region steeped in rich military tradition. Our corner of this country stands out for the remarkable tradition of brave men and women putting themselves in harm's way for our nation.
In New York, we're always confined with spaces. Our restaurants are difficult to navigate as cooks and to operate. We fight against the buildings we run in New York.
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