A Quote by Jeff Buckley
Certain emotions just take you to the notes - being furious, heroic, sad, erotic, when rain comes.
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If we see a sad rain, it doesn't mean the rain is sad, but it means we see it. That's an easily dismissible kind of projection. But what I'm struggling to say, is that we take that rain in through our own hearts and emotions and senses and skin, and all those filters have an impact.
I've always had a hard time just being angry or just being really sad - the bigger emotions.
Emotions fascinate me, just being able to express myself through acting. I love that. And I think, in everyday life, you're always trying to repress your emotions. Like if you're sad, you don't want to show it to someone else.
I feel like the great filmmakers who have a true voice, yeah they take the notes, they understand the notes, but it's really about the notes underneath the notes. When you do a test screening and somebody says, 'Well, I didn't like the love story,' but it was probably just too long.
Just a little rain falling all around The grass lifts its head to the heavenly sound Just a little rain, just a little rain What have they done to the rain? Just a little boy standing in the rain The gentle rain that falls for years And the grass is gone and the boy disappears And the rain keeps falling like helpless tears And what have they done to the rain? Just a little breeze out of the sky The leaves nod their heads as the breeze blows by Just a little breeze with some smoke in its eye And what have they done to the rain?
I keep a journal and just kind of take notes. I don't really so much sit down and write songs - I just take a lot of notes, and sometimes I sit down and put them all together.
I've been poked fun of throughout my career by fellow actors for my notes that I take. I have spiral notebooks that I carry with me on every project I do, and I take notes just so that if I have to relive a scene, if I have to go back, I know what I did.
I definitely take notes, but I feel like sometimes if I take too many notes, it kind of bogs down my mind a little bit. So, I just write down stuff that I need to remember for the game.
I am a sad person. In this world there are people who like major notes and minor notes. I like minor notes.
In the spring rain, the pond and the river become one. Into every life some rain must fall. Usually when your car windows are down. It raineth on the Just and the Unjust Alike, But the Unjust stealeth the Just's umbrella Let the rain kiss you. Let the rain beat upon your head with silver liquid drops. Let the rain sing you a lullaby.
The kiss that you have never given is just as powerful as hours of actual lovemaking. The erotic isn't just what is happening between people's legs. It is also what's happening in their erotic mind.
How do I control my emotions? How do I stop getting angry so often, or how do I stop being sad? And I think there's a really important distinction to understand is that you can't completely control your emotions. What you control is your reaction to your own emotions. And a lot of people don't ever make that separation for what goes on with them.
In his very rejection of art Walt Whitman is an artist. He tried to produce a certain effect by certain means and he succeeded....He stands apart, and the chief value of his work is in its prophecy, not in its performance. He has begun a prelude to larger themes. He is the herald to a new era. As a man he is the precursor of a fresh type. He is a factor in the heroic and spiritual evolution of the human being. If Poetry has passed him by, Philosophy will take note of him.
Who can confidently say what ignites a certain combination of words, causing them to explode in the mind? Who knows why certain notes in music are capable of stirring the listener deeply, though the same notes slightly rearranged are impotent? These are high mysteries, and this chapter is a mystery story, thinly disguised.
Like, even in our stage performance, it's vulnerable at certain times, it's sad, it's raging... It's not just about being a sex symbol, or being sexy to appease everyone. I'm not about that.
I'm not used to writing about happy emotions, I'm just used to pulling from my sad or angry - happy emotions are very hard for me to portray in music.
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