A Quote by Jeff Buckley
Thinking so hard on her soft eyes and memories of the signs that it's over. It's over.
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Patriarchy values the hard over the soft; the tough over the tender; punishment, vengeance, and vindictiveness over compassion, negotiation, and reconciliation. The 'hard' qualities are linked to power, success, and masculinity - and exalted. The 'soft' qualities are identified with weakness, powerlessness, and femininity - and denigrated.
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
My kingdom for a kiss upon her shoulder It's never over, all my riches for her smiles when I slept so soft against her... It's never over, All my blood for the sweetness of her laughter... It's never over, She's a tear that hangs inside my soul forever.
I can't think of anything that brings me closer to tears than when my old dog - completely exhausted after a hard day in the field - limps away from her nice spot in front of the fire and comes over to where I'm sitting and puts her head in my lap, a paw over my knee, and closes her eyes, and goes back to sleep. I don't know what I've done to deserve that kind of friend.
Over, over, there is a soft place in my heart for all that is over, no, for the being over, words have been my only loves, not many.
My mother took too much, a great deal too much, care of me; she over-educated, over-instructed, over-dosed me with premature lessons of prudence: she was so afraid that I should ever do a foolish thing, or not say a wise one, that she prompted my every word, and guided my every action. So I grew up, seeing with her eyes, hearing with her ears, and judging with her understanding, till, at length, it was found out that I had not eyes, ears or understanding of my own.
She really started to cry, and the next thing I knew, I was kissing her all over - anywhere - her eyes, her nose, her forehead, her eyebrows, and all, her ears - her whole face except her mouth and all.
The angels can sometimes come as wordless words as feeling, and as repetitive signs, like getting recommended the same book over and over and over again...
Tessa was laying on her side, her brown hair spread over the pillow, watching Will, whose face was bent over the pages, with a look of tenderness in her eyes, a tenderness mirrored in the softness of Will's voice as he read.
Memories, even hard memories, grew soft like peaches as they grow older.
She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.
Out of the bosom of the Air, Out of the cloud-folds of her garments shaken, Over the woodlands brown and bare, Over the harvest-fields forsaken, Silent, and soft, and slow Descends the snow.
Francesca took a navy blue sheath from a hanger and held it up. "This is darling, Gabriel. Don't you love it? You're right, I think we need to concentrate on much more feminine articles of clothing." He reached around her and fingered the soft material. "Where is the rest of it?" He was very serious, his dark eyes searching her face for signs she was teasing.
You could sometimes see her twelfth year in her cheeks, or her ninth sparkling from her eyes; and even her fifth would flit over the curves of her mouth now and then.
...looking at him makes her feel like laughing all over - as if she could laugh not just with her mouth but with her eyes, her heart, her very limbs.
Oxford, in those days, was still a city of aquatint. In her spacious and quiet streets men walked and spoke as they had done in Newman's day; her autumnal mists, her grey springtime, and the rare glory of her summer days - such as that day - when the chestnut was in flower and the bells rang out high and clear over her gables and cupolas, exhaled the soft airs of centuries of youth. It was this cloistral hush which gave our laughter its resonance, and carried it still, joyously, over the intervening clamour.
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