A Quote by Jeff Buckley
On my record cover, you can barely see my face. I still think I look really geeky.
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I think the great thing about art is that you can create it anywhere. I made a record of cover tunes on my laptop in hotel rooms throughout Europe last year and it is still very much a "Kasey Anderson" record.
I went to anything that was on at the Lyceum in Edinburgh. I was quite geeky. There was a production of 'Look Back in Anger' with David Tennant and Kelly Reilly in it, and it blew me away. I still think about it and look back on it as the moment where I decided, 'I want to do that.'
I don't act to be popular or see my face on the cover of magazines every time I go out to get coffee. I don't want to think about me all the time and what I look like.
I don't act to be popular, or see my face on the cover of magazines every time I go out to get coffee. I don't want to think about me all the time, and what I look like.
I don't see people. I don't see men and women at all. When I see them, I see... their mothers and fathers. I see how old they are inside. Like when I look at the president, or anybody in a record company, or a store owner, I may see a little boy behind the counter with the face of an old man. And that's who I talk to.
I really love my True Match concealer: it is great if you just want to cover some spots, and you don't have to cover your whole face. I don't really like wearing a face full of makeup all the time; I just like covering up the spots that I am a little self-conscious about.
I watched a lot of YouTube videos of cute geeky girls playing '80s cover tunes on ukuleles. Technically, this wasn't part of my research, but I had a serious cute-geeky-girls-playing-ukuleles fetish that I can neither explain nor defend.
I look at someone's face and I see the work before I see the person. I personally don't think people look better when they do it; they just look different.
When I think of the future, I think a lot of Quincy Jones and how he is an inspiration. Look at the quality of his work over so many years. He didn't even make his best record, 'Thriller,' until he was 50. That gives me something to look forward to. Nothing pulls you back into the studio more than the belief that your best record is still ahead.
Look at Charlie Brown's face. Would you please hold still a minute Charlie Brown? I want Linus to study your face. Now this is what you call a failure face, Linus. Notice how it has failure written all over it. Study it carefully Linus. You rarely see such a good example. Notice the deep lines, the dull vacant look in the eyes. Yes, I would say this is one of the finest examples of a failure face that your liable to see for a long while.
You know when you see a gorgeous boy on the street and you say to your friend, "Look at him!" and then your friend makes a face like, ugly? We all have such totally varied tastes that someone is going to look at you and think, yum-yum dee-lish, no matter what you think you look like. You just have to learn to see what they see.
We look into each other's eyes as we shake. His are still full of death and horror, but in them I see my face reflected, and inside my tiny eyes inside his, I think I see some hope.
I was 19. 'The One And Only' was my first record. It went to No. 1 and I was this big star. I thought that was what happened when you released records. Of course that is not normal. It's a great record and I'm still really proud of it but I think it was a bit of a fluke.
I was so shy to be seen online that I'd always cover my face with my phone. I wanted you to see me but I didn't really want to be seen.
Often, everywhere we look, we seem to find obstacles and facades and smokescreens, so it was really nice to find things in the world that actually spoke to me. And I felt like Eastern thought really spoke to me. Because it isn't trying to cover up the pain in life; it's trying to deal with it and overcome it in an intelligent way. I think the reason I love Eastern thought so much, and mysticism in general - but especially Buddhism - is because it seems to me an attempt to look life squarely in the face, as it is.
I hadn't done a photo cover in a while, and I decided to do a take on the 'Pin Ups' cover, but do it in skull face and have the girl in skull face. People seem to dig it.
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