A Quote by Jeff Carter
It's a lot of money, but in reality what's important is the kids health. I suppose the day could come where we could walk away from it and figure out a new way for (that) funding.
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I was scared every time I put on a uniform and stepped on the field. I’m scared every day I go into the studio and I come on stage because I fear that I will not live up to what is expected. I fear that somebody who spent a lot of money to come into our studio, to come to New York and they’ll walk away and go, ‘I could have stayed at home.’ I feared that as a player a fan would come to the stands and I wouldn’t perform well. Just the way I’m built. I’m more scared of failure than I am excited about the accolades that come with success.
Wrestling has been a way of life with me day in and day out. I won't get too far away from it. I might walk through the wrestling room once a week. I could go every day if I wanted. But just walk through, make sure it's still there.
It's hard to predict what will happen with two brands in a market. Sometimes they will behave in a gentlemanly way, and sometimes they'll pound each other. I know of no way to predict whether they'll compete moderately or to the death. If you could figure it out, you could make a lot of money.
In a moment of stress, funding may go to systemically-important firms, which could pull funding away from firms not making the cut.
I thought I'm going to die. So why can't I do everything? And what is this idea that I worked all day yesterday, so I'm tired today? I've never believed that.I thought, "Just suppose I could choreograph a ballet." And I did it. Suppose I could teach dance at the theater in Cleveland. And I did it. Suppose I could sing for a living - that I could stop these two jobs as a waitress and a salesperson.
Every day I watched how a bare metal frame, rolling down the line would come off the other end, a spanking brand new car. What a great idea! Maybe, I could do the same thing with my music. Create a place where a kid off the street could walk in one door, an unknown, go through a process, and come out another door, a star.
No matter how much funding I get, I'm always thinking, 'This is temporary. This is fragile. It could all end tomorrow, and how am I going to make today worth it? If this is my last day in the lab, what can I do so that I can walk out of here saying, 'That was a good day?''
When I'm drafting, I suppose it's an intuitive process - figuring out when something just has a surreal glaze on it and when it grapples with something that could threaten a character's day-to-day reality.
Democracy, if it meant what our forefathers said, that would be great, but unfortunately it's been corrupted by this funding and funding of campaigns. There's a much better way to do it. There could be a small amount of money given by every taxpayer to be dedicated to candidates.
Democracy if it meant what our forefathers said, that would be great but unfortunately it's been corrupted by this funding and funding of campaigns. There's a much better way to do it. There could be a small amount of money given by every taxpayer to be dedicated to candidates.
Soccer was probably the most fun game I've played because I never walked away feeling like I had a bad game. If you play a position in soccer where you can out-hustle or out-work or out-prepare somebody, it is a lot easier to walk away from the game and say, I gave it my all. I could always try. I could always hustle.
Seeing off the new ball is important for me. I know that once I do that, the only way I could get out could be from my own mistake.
You have all the power you could possibly need to create a new reality - a reality of vibrant health and wellbeing.
When I walk into a gym full of kids, I could be having the worst day possible, but once you see the kids smile it changes your whole day around.
You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
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