A Quote by Jeff Dean
I do kind of think there's a bit of an overemphasis on - in the community - on sort of achieving ever-so-slightly better state-of-the-art results on particular problems, and a little underappreciation of completely different approaches to problems that maybe don't get state of the art because it's actually super hard and a pretty explored area.
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When you talk about state of the art, that doesn't mean a damn thing. Think about it. State of the art. "This is the state of the art brush from Winsor-Newton." Yeah, but the state of the art sucks rubber donkey lungs.
I think art world will have consolidated, I think it will slow down a little bit. I think it will be less white and Western, which it is still at the moment. There will be more female artists in the mix. I think we'll see art forms explored through different media - the Internet, television, books, even. We'll see art produced in forms and media that we haven't seen yet.
I think, as a secular woman who heads a religious party and lives in Tel Aviv, we don't have so many problems on religion and state. Politicians, like Yair Lapid and Avigdor Liberman, are trying to create these problems for all different reasons and interests in order to get more votes.
Every film tries to advance the state of the art, at least a little bit. Brand new techniques? A lot of them are just evolutionary: we're just building on something that's like something we've done before and just trying to do it a little bit better or make it a little bit more realistic.
Fine art, that exists for itself alone, is art in a final state of impotence. If nobody, including the artist, acknowledges art as a means of knowing the world, then art is relegated to a kind of rumpus room of the mind and the irresponsibility of the artist and the irrelevance of art to actual living becomes part and parcel of the practice of art.
There are lots of other things that affect state growth besides state taxes. However, the reason I look at taxes is because these are policy variables that can be changed by state governments in order to get better results than they otherwise had.
And I do think that good art - the art that tends to last - is that art that hits human beings on several different levels at once because everybody's different. Some people approach art through their emotions, others through their head, and the art that can appeal to all of those levels is more likely to reach more people. Having more people see the work doesn't necessarily mean better art but it stands a better chance of lasting.
Leaders may recognize that they are not addressing the real problems, but they rationalize their actions with the argument that they must first politically survive in order to later address the hard problems and sacrifices. Of course, they usually don't ever actually get around to addressing the fundamental problems later, either because they don't make it through the initial crisis or because, even later, they are not willing to risk sacrificing their own position or "career" with needed measures that usually require tough sacrifices by the population.
So our ego has to be seen. It is to be watched in a witness state, how it works and how it tries to dissuade us from the right path of movement. One has to be only careful on that point because that is the last centre which has to be opened out. Once it is completely open, you are one with the Divine and all your problems will be solved because these problems are so frivolous and have no meaning.
I like to do things a little bit different than the crowd does things. I think that's why I get different results. I think that's why I get better results.
In some instances even certain social services that normally were supplied, or pre-empted by the state. Take the United States, the [Ronald] Reagan administration is withdrawing assistance, all kinds of welfare programs, and if people don't improvise their own resources to cope with problems of the ageing, problems of the sick, problems of the young, problems of the poor, problems of tenant rights, who will?
Art history is fine. I mean, that's a discipline. Art history is art history, and you start from the beginning and you end up in artist in time. But art is a little bit different. Art is a conversation. And if there's no conversation, what the hell is it about?
The art that I make and that I see others make confirms the miracle of being alive. Almost every day I live in a state of exaltation. The art of painting is to me sacred. It is central to all the other visual arts. This art is in a constant state of renewal.
A state-of-the-art calculation requires 100 hours of CPU time on the state-of-the-art computer, independent of the decade.
Because', she said, 'your problems are not real problems. You're dating two beautiful girls at once. Think about it. That's like...having rock-star problems.' 'Having rock-star problems may be the closest I ever get to being an actual rock star.
Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
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