A Quote by Jeff Dunham

A lot of my best stuff is just ad libs on stage and that's one thing that I've gotten back to at the live show. — © Jeff Dunham
A lot of my best stuff is just ad libs on stage and that's one thing that I've gotten back to at the live show.
A lot of my best stuff is just ad libs on stage, and that's one thing that I've gotten back to at the live show.
I grew up in a time where on things like 'The Red Skeleton Show' or even to a certain extent on 'The Carol Burnett Show,' people wrote in the breakouts or ad-libs. They were scripted to look spontaneous. So I always had a dislike of that kind of thing.
I certainly was performing before my writing was published, because I was performing when I was very young. And the thing is I'm very comfortable on stage, so a large portion of my act did come from ad-libs.
I've always been a spontaneous singer. And all the stuff that you hear on the end of the songs, what they call the ad libs - that just comes out of my head. That's not thought out at all. I have the verses and the choruses, and then after that it's total improvisation.
I always think it's just best to just make stuff and to carry on making stuff, even if it's not off your own back, because that's the only way... especially as a comedy writer, I make short films and then show them to live audience, so if they're laughing you know you're doing something right.
I go back and watch a lot of the stuff that I did back in the day, and it was a lot of wrestling just to show that I could wrestle. And I realized that sort of stuff is sort of pointless.
Everything seems overwhelming when you stand back and look at the totality of it. I build a lot of stuff and it would all seem impossible if I didn't break it down piece by piece, stage by stage. The best gift you can give yourself is some drive--that thing inside of you that gets you out the door to the gym, job interviews, and dates. The believe-in-yourself adage is grossly overrated.
I have to go over my carefully prepared ad-libs.
I make sure to hold onto everything, even the stuff I've gotten rid of, because if there's one thing I've learned about the band is that I'll bring stuff in, and it's oftentimes the stuff that I've gotten rid of that's the stuff that everyone else is like, "yeah!!!!"
I still believe in the old-school show thing no frills, no fancy equipment just a guitar and some amps and some drums, and throw it out there and do it the best you can in a live sense, because it's easy to make records. But the live show is where you really show if you've got the balls to do it.
I feel like a lot of my work on stage, I've gotten to play a wider range of characters than I have on film. This feels closer to who I am than stuff I've played on stage, or, like, Olive Kitteridge.
I feel like, If I would have lived in my hometown, I probably would have gotten in a lot more trouble. I was just in places where I could have gotten in trouble. I skateboarded a lot, just getting into the wrong stuff. I could've just hung out with the wrong friends.
As far as best comedy show, Richard Prior live. The Long Beach show. That's the apex, that's the pinnacle. That's what everybody's trying to reach for. When he walked on that stage he had the red shirt on in Long Beach and when he walked on that stage to the time he left, he was on fire.
I just listen to a lot of stuff. Sometimes I play music; a lot of times, it will be stuff from back in the day. Sometimes I scan through the radio. Not the average stations that play the everyday thing.
I went to a rare live Van Dyke show and met him there. And then he came to a show of mine and we spoke back stage. The third time was at Brian Wilson's birthday party.
I feel like in a lot of ways I've gotten kind of soft as an actor, not doing stage stuff. In terms of being a better actor, it's really important.
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