A Quote by Jeff Dunham
There's some sort of unspoken license... when outlandish things come out of an inanimate object, somehow it equals humor.
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It's amazing how these little guys can say things that a mortal human could never get away with. There's some sort of unspoken license... when outlandish things come out of an inanimate object, somehow it equals humor.
I find very reasonable the Celtic belief that the souls of our dearly departed are trapped in some inferior being, in an animal, aplant, an inanimate object, indeed lost to us until the day, which for some never arrives, when we find that we pass near the tree, or come to possess the object which is their prison. Then they quiver, call us, and as soon as we have recognized them, the spell is broken. Freed by us, they have vanquished death and return to live with us.
The animators bring their own spontaneity to it as well, because when they do a take of a shot it really is like just one continuous activity for them. They launch into it and do it, and they're not even quite sure how it's going to turn out when they're doing it. They're sort-of sculpting their way through a scene and trying to make this inanimate object alive.
All ideas come about through some sort of observation. It sparks an attitude; some object or emotion causes a reaction in the other person.
Inanimate objects can be classified scientifically into three major categories: those that don't work, those that break down and those that get lost. The goal of all inanimate objects is to resist man and ultimately to defeat him, and the three major classifications are based on the method each object uses to achieve its purpose. As a general rule, any object capable of breaking down at the moment when it is most needed will do so.
Everything you have, whether it's money or stuff, is an obligation. It is as much your duty to care for and nurture any object you own as it would be if that object were your child. All possessions come with responsibilities. More possessions equals greater responsibility.
And I was very successful at baby photography... Strange isn't it? Because some of my portraits of babies were - I used dramatic lighting, shadow lighting, and I didn't use flash. We didn't have flash in those days, we just had floodlights, and I was photographing babies as I would an object - an inanimate object, for that matter.
Americans are obsessed with wild, outlandish things. Marilyn Monroe, Mickey Mouse, and Michael Jackson are all wild, outlandish things.
To me, respect for human life begins with making it more difficult to obtain an inanimate object that is designed to snuff it out.
The best everyday example of relativity, the finest symptom of human intelligence, is humor. (...) Design without humor is not human. The word 'beautiful' does not mean anything. Only coherence counts. An object, design or not, is primarily an object that meets the parameters of human intelligence, which reconciles opposites. The lack of humor is the definition of vulgarity.
I suppose I look for humor in most situations because it humanizes things; it makes a character much more three-dimensional if there's some kind of humor. Not necessarily laugh-out-loud type of stuff, just a sense that there is a humorous edge to things. I do like that.
Somewhere, at some point, somehow, somebody decided that death equals credibility.
All greatness in style begins, I imagine, with such respect, deep and passionate enough to produce a humility which will not assert itself at the expense even of inanimate things: out of which submissiveness a desire to serve is born, in disinterested accuracy toward the object, whatever it may be.
Using humor as a wedge into different kinds of stories is my go-to. I think anything I do would have some sort of streak of humor in it.
There's something about seeing this little inanimate object coming to life that's just very exciting. That's why with 'Nightmare' I held out for so long to do it.
I like humor: the sort of gentle humor that points out human foibles.
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