A Quote by Jeff Dunham

I try to make the majority of my audience laugh. That's my audience. They'll laugh at the dead terrorist. — © Jeff Dunham
I try to make the majority of my audience laugh. That's my audience. They'll laugh at the dead terrorist.
I try to make the majority of my audience laugh.
The best way to make friends with an audience is to make them laugh. You don't get people to laugh unless they surrender - surrender their defenses, their hostilities. And once you make an audience laugh, they're with you. And they listen to you if you've got something to say. I have a theory that if you can make them laugh, they're your friends.
The audience works as such a mob. They either all laugh or all don't laugh, and, you know, changes from audience to audience.
I was afraid no one would laugh, and I wanted to pretend I wasn't noticing the audience. I didn't want the audience to get the idea I was telling a joke and waiting for a laugh.
I'm honored that other comedians like what I do. That means the world to me. But at the same time when I'm on stage I'm not just trying to make the comedians laugh - I'm also trying to make the audience laugh. I want to make everybody laugh.
We are a nation that has always gone in for the loud laugh, the wow, the yak, the belly laugh, and the dozen other labels for the roll- em-in-the-aisles gagerissimo. This is the kind of laugh that delights actors, directors, and producers, but dismays writers of comedy because it is the laugh that often dies in the lobby. The appreciative smile, the chuckle, the soundless mirth, so important to the success of comedy, cannot be understood unless one sits among the audience and feels the warmth created by the quality of laughter that the audience takes home with it.
You have more of a responsibility to make the audience laugh. In comedy, we do have to say, "All right, it's been two minutes in the film. We need another laugh here." With drama, there's no pressure in that regard. It's a different kind of pressure, but it's not like we need to make someone laugh.
My brother was a great audience, and if he liked the picture, he would laugh and laugh and laugh, and he would want to keep the picture. Making people laugh with an image I had created... what power that was!
I have been so busy making people laugh with my acting, so I thought why not direct something and make my audience laugh more.
I know how to make an audience laugh, 'cause I grew up on Third Rock from the Sun, week after week in front of audiences, making them laugh.
My philosophy is, it's always very rewarding when you can make an audience laugh. I don't mind making fun of myself. I like self-deprecating comedy. But I'd like you to laugh with me occasionally, too.
Ultimately, an audience wants to laugh. That's who they like, the comedian who makes them laugh.
I realized that comedians of the day were operating on jokes and punch lines. The moment you say the punch line, the audience either laughs sincerely or they laugh automatically or they don't laugh. The thing that bothered me was that automatic laugh. I said, that's not real laughter.
You can't have a laugh track that sort of tells the audience when to laugh and, you know, it's difficult to find those moments.
I never think in terms of target audience. I try to write what makes me laugh, so I'm the target audience. I guess I just hope there's another person in America like me.
As a comedian, I'm forced to have a tough skin. Until people laugh, they are detractors. You walk into a new audience where nobody knows you, they go: 'Make us laugh. Show us what you're made of. Prove why we should be listening to you.'
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