A Quote by Jeff Dunham
There are not that many ventriloquists out there who build their own characters. I love that because they are uniquely mine.
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We're going to build that wall high, and we're going to build it tall. We're going to build that wall, and we're going to build it out of love. We're going to build it out of love for every family who wants to raise their kids in safety and peace... We're building it out of love for America and Americans of all backgrounds.
I looked to many, many filmmakers. I was influenced by the Neo-Realists, and by the Cuban, and the Latin American cinema, the '70s, European experimental work. And fortunately, all those influences gave me the strength to think, "I can make my way. I'm a creative person, I can try to create a way that is uniquely mine because I've seen so much, and I've experienced so much."
Mine to the core of the heart, my beauty!
Mine, all mine, and for love, not duty:
Love given willingly, full and free,
Love for love's sake - as mine to thee.
Duty's a slave that keeps the keys,
But Love, the master, goes in and out
Of his goodly chambers with song and shout,
Just as he please - just as he please.
I do love doing films; I love going out and creating different characters for each film, and not having to be stuck with one role for many, many years. It's a creative liberty that I love.
When we were kids, we couldn't wait to have our own rooms, not to have to share anymore. And that is what I love about having my own bedroom. It is mine. My sleep is mine. Both pillows are mine. If I wake up, it is me who has woken me up... It makes me feel like a grown-up. I love it.
We call it your area of destiny. We urge people to build their careers at that intersection of what they're uniquely good at ... and what you love to do.
Parenting advice is mostly useless because every family is uniquely its own; artistic advice is mostly useless because every artist works in their own way. Thus, figuring out how to balance the two has an intense specificity.
The notion that a human being should be constantly happy is a uniquely modern, uniquely American, uniquely destructive idea.
I hear so many writers say - and these are writers that I trust completely - 'I just started hearing a voice', or, 'The characters came to life'. I am filled with loathing for my own characters when I hear that because they do nothing of the sort. Left to their own devices, they do nothing but drink coffee and complain about their lives.
I love being an actor so much because, as a person, I would be conscious about pimples and weight because I love vanity, and I own up to it. I have been like that since I was a child, but where my characters are concerned, they are such confident women that I love celebrating my flaws on screen.
I love playing really strung out characters, and characters that are really pushed to their limits and losing their mind. I think that's wonderful. To be able to lose it, in many ways, is just great fun to do.
Whether you chose a passive-aggressive husband, workaholic wife, or life of single motherhood, we are all officially allowed - and uniquely qualified - to critique our own life experience. Please don't pretend you're living mine.
I think love is a great catalyst for many characters to further the story or their own growth.
In her previous novels, Maggie O'Farrell has often measured the distance between intimates and the unexpected intimacy of distance - geographic, temporal, cultural. In 'The Hand That First Held Mine' and 'The Distance Between Us,' characters separated by many miles or many years turn out to be joined in ways they never anticipated.
This miracle of me is mine to own and keep, and mine to guard, and mine to use, and mine to kneel before.
I think at some level, it's just alchemy that we, as writers, can't explain when we write the characters. I don't set out to create the characters - they're not, to me, collections of quirks that I can put together. I discover the characters, instead. I usually go through a standard set of interview questions with the character in the beginning and ask the vital stuff: What's important to you? What do you love? Hate? Fear? .. and then I know where to start. But the characters just grow on their own, at a certain point. And start surprising me.
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