A Quote by Jeff Fortenberry

The high-flying rhetoric of 'Making America Great Again' frankly appeals to me. It appeals to many people. But you've got to back that up with substance, and you've got to quit offending people who may not agree with you.
'La Cage' has got a broad appeal. It obviously appeals to the gay community, but it's also a good, fun show that appeals across a broad audience, a great big mixture.
Donald Trump understands sense of belonging. And a lot of people think globalization, any time you make any particularity, you're sort of offending some other group. And a lot of people in this country think they belong to America anymore, and he at least appeals to some sense of belonging. I like the idea that we belong to Western traditions, so I'm glad he appeals to that sort of thing.
Islam appeals to people because it appeals also to reason.
The woman who appeals to a man's vanity may stimulate him, the woman who appeals to his heart may attract him, but it is the woman who appeals to his imagination who gets him.
I'm pretty calculating. I take stuff that I know appeals to people's bad sides and match it up with stuff that appeals to their good sides.
Most people here agree that the rhetoric got overblown on both sides of the Atlantic before the Iraq war, and it was a disagreement among friends over the timing, not the substance, of the Iraq war.
Generally, if a good script comes in I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character, it doesn't have to be a huge part. It could be a nice cameo - anything that I think is good and surrounded by good, enthusiastic people.
I jumped horses over big dangerous fences in competition. And got very, very good at it, at quite a high level. And I realized long since that, yeah, it's the same thing that appeals to me about it. You can't think about anything else, in either case; jumping horses in competition, show jumping, or flying an airplane, for whatever purpose.
I don't want to work just for the sake of working. Generally, if a good script comes in, I read it, and if it appeals to me, it appeals to me. And it doesn't have to be anything - it doesn't have to be the main character; it doesn't have to be a huge part.
Unjust social orders do not fall merely by appeals to the consciences of the oppressor, though such appeals may be an important element; history teaches us that they fall because a large enough number of people organize a movement powerful enough to push them down. Rarely do such revolutions emerge in a neat and morally pristine process.
When I get an idea for a book, something appeals to me, it's usually a character. I'll see a picture of a female marshal in front of the courthouse in Miami and she's got a shotgun on her hip and it goes up on an angle. And she's good-looking. And I say, 'I've got to use her.'
The lavish presentation appeals to me, and I've got to convince the others.
A lot of people got in at the wrong time. A lot of people did very well and some people said, "This is it. I'll never get back in again." And they maybe meant it, but they probably got back in again anyway.
I think, as long as people are doing their craft at a high level, I'm going to have respect for it and find something that appeals to me.
Socialism appeals to me. It's like imposed Christianity. You've got to share.
If something appeals, something appeals. I don't think I'm particularly calculated about it. I know I have an alarm bell that goes off in my head where something feels like it has no creative integrity to it at all, and it's just about making money.
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