A Quote by Jeff Garlin
I've avoided doing network shows because I don't think they're true to real families.
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I've avoided doing a network comedy, because I wouldn't get my own way. Even though it would get more viewers, it wouldn't be mine.
The goals for me have changed somewhat. There's a bit of seduction to the idea of being on network, but it got to the point where that wasn't important. What's important is doing something worthwhile. Which is why I've always avoided being on a sitcom. Yeah, it's high-profile and it's on a network, but you know what? You could be on Suddenly Stewart.
Very much in my books people find not surrogate families because they are real families. We've got families that we're related to by blood but we've also got families that we acquire. And those too I think are pretty much part of my books.
I have been very fortunate in that I'm not doing all network shows or all cable shows, television has really become a year-round process in the way that it's made.
Most of the network television audience now is primarily women, but I think that's because the shows are developed to appeal to women. I don't know that there are too many shows that appeal to guys anymore. I'm not sure why that is, but I think that it may have something to do with the fact that most development staffs are women.
I think actually under scrutiny, Hillary's [Clinton] promotion of equal wages at poverty level and of healthcare for children but not for their families, of childcare when there are no jobs, it just doesn't cut it. I think women need a real agenda of justice because women are care-givers, because women are instruments of justice for our families and for our communities.
I've done network shows. A director will call me and say, 'Do you want to do this with me?' and I'll say, 'Sure,' but I couldn't do it forever because there's no real expression. That's not how people talk.
The Food Network and the Cooking Channel have so many viewers. And, because there's no violence, some of that audience is children. So, I think we have a responsibility to educate parents how to produce healthy meals for their families.
My improv definitely shows a different side of myself, which is more true to what my real humor is and what my real personality is, and I think - I guess 'wild' is a good word for it. I'm still sweet! But I won't let anyone walk all over me.
There's a thrill in flying by the seat of your pants - trousers, actually: 'pants' in English means underwear - because most shows don't operate that way. Network shows are repetitive.
I love my husband very much. I knew it was real true love because I felt like I could be myself around that person. Your true, true innermost authentic self, the stuff you don't let anyone else see, if you can be that way with that person, I think that that's real love.
Comedy Central was a great network, but 'Chappelle's Show' took it to a completely different level. Other shows got bigger because so many viewers were watching the 'Chappelle' reruns. For BET, the 'Real Husbands of Hollywood' has that same potential.
Rebuilding a network is a slow, brick-by-brick process. It's not just creating a hit show - it's building shows to back up that hit show; it's creating an identity of success so that people want their shows on your network.
I hear a lot of young people talking about the need to network. I think that is true, and I think that building a network makes sense. But I also think that there is another way to approach it, and that is to try to make friends. Just try to make a lot of friends.
I think the rigors of a TV schedule are brutal and 'Six Feet Under' wasn't a network schedule. We did 13 shows, we didn't do 22. I don't know how people do that. I really don't. I mean the shows are shorter, but wow, it's quite a discipline.
I've been offered quite a few network shows, over the past couple of years, and always turned them down because I never wanted the commitment. The way that it works in America, you do a pilot and then you wait, and I just thought that wasn't really what I was interested in doing, in that moment.
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