A Quote by Jeff Garlin
Whenever I meet someone who's talented, I always want to write something for them!
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Whenever I write something, I always want to make sure that what I write is defensible.
I work with a lot of young people who have poems that are changing their lives, that they're eager to talk about, but every now and then when I meet someone, maybe someone of my parents' generation, and I tell them that I write poetry, they'll begin to recite something that they memorized when they were in school that has never left them.
Whenever there's active promotion on the part of somebody else, whenever I see somebody all dolled up for a fancy photograph and someone's handing out flyers or whenever there's active promotion for something like that, as an imposition on my day, I hate all those people and I want them to fail. I have a visceral reaction to advertising and promotion. There's just something about salesmanship that grates on me on a very base level and I react very negatively towards it. I want those people to suffer and I want their enterprises to fail.
Whenever you're reporting, there's always something you can't say or write, but the questions, you always want to get as close to that line as possible. You want to ask the tough questions.
At an early age my dad - probably because he's a journalist - said: "Just have something to say. Don't just blather. Always have one line in your mind." So, that was always my thing whenever I met someone when I was younger, if ever I got to meet a real celebrity.
Everyone that I meet always wants me to direct, but whenever I think of directing, I think of aligning shots. I'd definitely have to write and direct something. But I don't know if I could.
Whenever I meet someone new, I always ask the same question... 'So, what do you do?
Whenever someone asks me for career advice, I always tell them to find a mentor. Find someone who has done what you want to do, and study the way they got there.
I never actually do rehearsals. That's one of the reasons that I write those bios and if I can meet with the actors I'll meet them or talk to them on the phone. What I want is for them to come on set knowing their lines and knowing who the character is.
There's so many other talented women of color who write funny things every day, and I want them to be recognized, I want them to have a seat at the table because we're out here.
I don't write fiction but I do write narrative; I write memoirs that I treat like stories, so whenever I'm using somebody I actually know as a model, I am submitting them to the agenda of a storyteller, and I feel free to do what I want.
I don't want to be like some of those celebrities walking around, just so full of themselves. I always want to be down-to-earth, want to be a person like when you meet them, they're the same person that you think of them in the article or something.
If you want to write an angry e-mail, write it but don't send it. It's based on my experience that whenever I have acted out in some manner, I have always regretted it.
Someone wanted me to write a profile for ESPN about the commissioner of baseball, and I said, "He's just some suit! Some Republican. No!" I mean if you want me to write about baseball, boxing or football, I'll write about those things because I watch them, I think about them a lot and I like them. But I don't want to write about Barry Bonds.
Every day I have spent in Uganda has been beautifully overwhelming; everywhere I have looked, raw, filthy, human need and brokenness have been on display, begging for someone to meet them, fix them. And even though I realize I cannot always mend or meet, I can enter in. I can enter into someone's pain and sit with them and know. This is Jesus. Not that He apologizes for the hard and the hurt, but that he enters in, He comes with us to the hard places. And so I continue to enter.
If someone says something unpleasant, I can't say it doesn't smart a bit. It always does. Someone can take a really nasty swipe if they want because it kind of feels powerful for a person to write in a paper and get that thing out there.
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