A Quote by Jeff Giles
In my work at 'Entertainment Weekly,' I had written reviews and news stories about YA books and film franchises and was always moved by how smart and voracious and loyal the readers were. Everything we did got lots of attention and reaction.
Related Quotes
In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.
If you look at the beginning of children's entertainment in literature, the first books that were written for kids were cautionary tales. They were books that were there to teach kids about growing up and how to live life.
I've always kind of thought that reviews written by readers for readers are a kind of private space between consumers. It's their right to say anything they like about your material, and authors need to know that and respect that. As for my end, I'm aware of what my sales are, so I know that my books are working in the marketplace, at least for now, and beyond that, I have to just do my thing and stay focused.
When I see ya baby girl, I miss feelin on ya. I miss everything that's real about ya and that's everything about ya, that's just how I feel about ya
I remember all the way back in high school thinking about writing books. And, in fact, I've written a lot of stories. I've got dozens of stories I've written that no one's ever seen.
He would talk to them of stories and books, and explain to them how stories wanted to be told and books wanted to be read, and how everything that they ever needed to know about life and the land of which he wrote, or about any land or realm that they could imagine, was contained in books. And some of the children understood, and some did not.
The earliest stories in Genesis were not written to tell primeval history. They were written to tell readers about themselves and about God.
The poet's role has changed over the centuries, the ages. The poets, the griots, used to be the keepers of the facts; they were the story tellers, and the stories were allegorically written truths: where we came from, how we migrated over this river, got with this tribe, became this nation, and tamed the mountains. It changed from that to being purely entertainment. And once it became purely entertainment, it lost something.
If you go all the way back, I've always written science-fiction, I've always written fantasy, I've always written horror stories and monster stories, right from the beginning of my career. I've always moved back and forth between the genres. I don't really recognise that there's a significant difference between them in some senses.
It used to be, if you were a reporter, you wrote a story and then you moved on to the next one. We were used to people coming to the New York Times. We waited for them to turn on our website or to pick up our print paper and see what we have. We now understand that we have to make our stories available to our readers. A lot of people get their news from Facebook or Twitter and we want to make sure that they see some of our best stories there, too. We do this more aggressively now than we did before.
I don't pay much attention to the press. My films always get good reviews and bad reviews. I just try to make the best film I can.
Woodfall wasn't deliberately telling working-class stories, but John Osborne and other writers who were involved with them were writing those stories, which had never really been written before. The working-class person always had to have an accent before, was often a joker, and peripheral. At Woodfall, they were driving the film.
Every generation likes to think that children don't read as much as they used to when they were young! You listen to some adults saying they were going around reading 'Ulysses' when they were seven or eight! I think children are voracious readers if you give them the right books and if you make those books accessible to them.
If you were smart in 1807 you moved to London, if you were smart in 1907 you moved to New York City, and if you are smart in 2007 you move to Asia.
I read books and talked to people. I mean that's kind of how one learns anything. There's lots of great books out there & lots of smart people.
I don't really read a lot of newspapers. I don't pay attention to what is being said or written about me. I've had lots of experiences in the past when I got too much into it. That sort of diverts your focus.
Related Authors
Andre Leon Talley Quotes
American
Editor
Anna Wintour Quotes
English
Editor
Bari Weiss Quotes
American
Editor
Carine Roitfeld Quotes
French
Editor
Claire Saffitz Quotes
American
Editor
Denis Diderot Quotes
French
Editor
Diana Vreeland Quotes
American
Editor
George Jean Nathan Quotes
American
Editor
Heather Mac Donald Quotes
American
Editor
Joanna Coles Quotes
American
Editor
Jon Meacham Quotes
American
Editor
Kevin Kelly Quotes
American
Editor
Lewis H. Lapham Quotes
American
Editor
Susan L. Taylor Quotes
American
Editor
Thelma Schoonmaker Quotes
Algerian
Editor
Tina Brown Quotes
American
Editor