A Quote by Jeff Goldblum

Going back to the noir fiction of the 30s, 40s and 50s. It's very contemporary. — © Jeff Goldblum
Going back to the noir fiction of the 30s, 40s and 50s. It's very contemporary.
As the tall dark and handsome male star, Carey Grant always stands for male beauty and desirability, whether in a 30s screwball, a 40s film noir, or a 50s romantic comedy. He consequently turns around the orthodox gender between the one who looks and so desires, and the one who is looked at, and so is being desired.
I guess Pumas are in their 30s. Cougars in their 40s Jaguars are 50s, and Sabretooths go into the 60s, right?
I guess Pumas are in their 30s. Cougars in their 40s... Jaguars are 50s, and Sabretooths go into the 60s, right?
I just kind of had my own impressions growing up with Hoover as a heroic figure in the 40s - actually the 30s, 40s, and 50s and beyond - but this was all prior to the information age so we didn't know about Hoover except what was usually in the papers, and this was fun, because this was a chance to go into it [ during filming 'J. Edgar Hoover' ]
My favorite decade of cinema would be kind of the '40s, yeah. I like things in the '30s, but you know, the sound recording in the '30s wasn't very good. But for some reason the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.
When I look back and think about how I played when I was 16, and moving on to my 20s, 30s, 40s and now 50s - to me, it seems like you gain more experience, you gain more technique, you get better.
I often meet adults in their 30s, 40s, or 50s who, as soon as they recognize me, suddenly become six years old again.
I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.
I certainly have been writing stories that are hard science fiction, that are very reminiscent of 'Golden Age tales' from the '40s and '50s. I've also written stories that are very high fantasy that are the direct opposite of that style.
Back in the '30s, '40s and '50s, you had clear-cut heroes, clear-cut supervillains. Today, you have more of a blend, more of a gray area between the two. You have the rise of the sympathetic villain and the rise of the antihero.
I think of the friends of mine who were blissfully single in their 20s and 30s. Still single in their 40s and 50s, they seem to be contracting a bit.
There's that thing about the '80s, the '40s and the '60s, and the '30s, the '50s and the '70s. Something about those odd decades in this century that weren't too pleasant.
I have a saying: There are no brave old people in finance. Because if you're brave, you mostly get destroyed in your 30s and 40s. If you make it to your 50s and 60s and you're still prospering, you have a very good sense of how to avoid problems and when to be conservative or aggressive with your investments.
There are so many venues in which stars are exposed today, that we just know much more and the studios don't have the control over stars like they used to, in the 30s, 40s, and 50s.
Well, I didn't know how to draw very well back then, in the '40s and '50s.
For the entire decade of my 30s and the early part of my 40s, I didn't write a word of fiction. I just left behind a dream of my life.
This site uses cookies to ensure you get the best experience. More info...
Got it!