A Quote by Jeff Goldblum
I now, more and more, appreciate when I'm in a group of good people and get to work in good movies and projects. I'm wildly grateful and appreciative.
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That which you have received, you should be grateful for it. And the most beautiful phenomenon is that when you are grateful, existence starts pouring more and more over you. It becomes a circle: the more you get, the more you become grateful; the more you become grateful, the more you get... And there is no end to it, it is an infinite process.
You get work however you get work. People keep working, in a freelance world, and more and more of today's world is freelance, because their work is good, and because they are easy to get along with, and because they deliver the work on time. And you don't even need all three. Two out of three is fine. People will tolerate how unpleasant you are if your work is good and you deliver it on time. They'll forgive the lateness of the work if it's good, and if they like you. And you don't have to be as good as the others if you're on time and it's always a pleasure to hear from you.
Getting past my early 20s, I feel a bit more maturity and responsibility about that stuff. You get a good feeling from doing something good. You see a kid and you make his day, you realise the power of it. Whereas before, I was like, 'That's cool, whatever.' But now, that's what I'm most appreciative of.
I've grown more and more appreciative of good writing, and I now really hope I can become a better and better writer.
The people who get more fame, who get more money, more often than not they are miserable, insecure and on anti-depressants. It's strange that everyone keeps buying into this idea that more success is good, that more fame is good, that more money is good. Yet, we look at the people who have more success, more fame, more money and they're miserable.
Feeling grateful or appreciative of someone or something in your life actually attracts more of the things that you appreciate and value into your life.
[On gay men:] Let me say, a more artistic, appreciative group of people for the arts does not exist ... They are more knowledgeable, more loving of the arts. They make the average male look stupid.
I bet the people who are in the auto industry right now have more than 10,000 good ideas about what might work and what we need to do is not come up with more good ideas. We need to go and test as many of those good ideas as possible.
If making movies was easier, there'd be a lot more good movies. So you kind of learn that if it's just a good script, or if it's just a good producer, that's not always enough. You need an entire team of creative people coming together.
The single greatest thing you can do to change your life today would be to start being grateful for what you have right now. And the more grateful you are, the more you get.
I've just always loved really good projects. The things that draw me into a new project have very little to do with genre and have more to do with the characters I'll be playing, the people I'll get to work with and things like that.
Personally I like the slow burn; I don't think there is anything wrong with it. When I think about the movies that were most effective on me as a viewer I think of the original Haunting and the Exorcist, Rosemary's Baby, the Sixth Sense, the Others. These movies are not over the top at all, they are movies that rely on good story telling, good acting, good premise, good exposition and I want to stay true to that in future projects.
If two scientists are giving their papers at a symposium, and one of them is just naturally better at talking to the public or talking to a group of people, that scientist is liable to get more attention - in fact, I'm told that they do get more attention - than the one who's a little more stiff about it. Well, that's not good for science.
I think writing comics is predicated on being a fan - there's no either/or. I'd argue I'm an even bigger fan now than when I started because I know how the hot dogs get made. And I kinda always saw the moving parts. I think I appreciate the good ones more now that I realize how lousy the production process can be, how hard it can be, and how easily something good can get crushed in its cogs.
When you work on big commercial movies, of course there's more money involved and you can still do some good work. But with an independent, you get films that are really close to the writers' and directors' heart. Somehow it becomes a little deeper. A little more meat and not as much flash.
My experience says that if you put out a lot of personal work that's good, it tends to attract high dollar commercial work. But to be clear - I don't create art to get high dollar projects, I do high dollar projects so I can create more art.
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