A Quote by Jeff Gordon

We have to keep our fans watching not just at home on TV but here at the racetrack too. This is where you sell people on the speed and excitement of racing. — © Jeff Gordon
We have to keep our fans watching not just at home on TV but here at the racetrack too. This is where you sell people on the speed and excitement of racing.
Like everyone else, I don't want it to get too far away from the racing because as time progresses, we're trying to get new fans and still keep the old fans and we've still got to have the racing.
Our racing simulator is more about gathering data about the car, trying different setups, and trying to find speed in the actual racecar as opposed to speed in the actual driver. There's no other way to get that kind of testing in, without doing the actual event, or getting outside and spending the money to make it happen. And it costs a lot to go to the racetrack.
This will be the racing competition to end all racing competitions, .. I am extremely pleased to be working with Electronic Arts on this exciting opportunity giving music and gaming fans the chance to live the Need for Speed TM experience.
I think we're our biggest competition. I think the racetrack's the biggest competition. If we go and race the racetrack and try to go around the racetrack faster than our competition, then that's the goal. I look at it as a competition between us and the racetrack because it's all about lap time.
I love to have the people watching [The Office ] just because it's fun to have people watching, but our fans are so dedicated, so smart and so cool for the most part. We don't have these fans that overwhelm you if they see you on the street. They're like, 'Love the show', or 'What an idiot. You should have said something to her last week.' I'm like, 'I know.'
I think feature films sell on the idea, and I think TV works based almost entirely on execution. I don't think anybody is going, 'Wow, that show is executed poorly, but the idea is so cool I just have to keep watching.'
When I started analysing games in 2001, I had a DVD recorder. I'd be at home watching the games just on a normal TV, watching what I could and trying to figure out what we would be facing a few weeks later. The problem was, in the team meetings, I'd always have to keep going back and forwards with the footage, trying to get to the right part.
We started the band with a work ethic of 'it's us against the world' and that is something that our fans aligned with, too. Together, we speak a common language. I think that motto has helped us keep the creative force alive all these years while the fans have kept the fire burning for us to always be excited to create new music for them. Without the fans, we are a band without a home.
Most people just half-watch TV. They watch TV while they are doing many other things in the environment of their home. So, what they are doing goes through their ears as much as through their eyes. In television, the narrative and characters are in the foreground of everything, because you are watching TV as you do other stuff.
Happy Days,' 'Laverne & Shirley,' 'Mork & Mindy' - it takes no effort at all to conjure, physically, the profound excitement I felt watching these shows in prime time. I remember sitting on the floor, too close to the TV, rapt.
One night I couldn't sleep. It was like 2:00 in the morning. I was thinking, 'What can I do?' I'm watching TV. I'm like, 'Let me do something else.' I'm not going to fall asleep for a few hours. What are my hobbies? There was the masturbation option. I skipped that because just knowing my kids are down the hall I felt psychotic. So, I went with watching more TV. I couldn't come up with anything. I was going, 'God, read a book.' Then I was like this, 'Where do I keep the books?' I've got nothing to do but watch TV.
Just speed, raw speed, blinding speed, too much speed.
People are watching TV, they're watching some clips on their iPhone. I mean, some folks are sitting there on the iPhone, watching the Colbert Report, and meanwhile there's a huge plasma TV right in front of them that they could be watching it on.
You don't sell a commodity, you sell joy, gaiety, excitement. You aim at people's hearts, not their minds.
Street circuits mean that we are racing in the centre of roads that people use everyday, which is very cool for drivers, but it also makes it very easy to make a mistake, which adds more excitement for fans.
I think Westlife is very unique: we have a certain sound; we do our thing our way, and we don't try to change too much. I think that's what the fans love about us. We keep giving the fans what they want every year. The style of music never really changes too much.
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