A Quote by Jeff Greenfield

It strikes me as a sound, honest statement for a prospective voter to say: 'Look, I haven't given this election a minute's thought, and it's just not fair for me to cancel out the vote of someone who actually gives a damn.' Indeed, it's not just sound and honest - it's the ethically responsible thing to do.
When we sit in meditation and hear a sound, we think, 'Oh, that sound's bothering me.' If we see it like this, we suffer. But if we investigate a little deeper, we see that the sound is simply sound. If we understand like this, then there's nothing more to it. We leave it be. The sound is just sound, why should you go and grab it? You see that actually it was you who went out and disturbed the sound.
I don't want to sound arrogant and say that I know everything about directing and I've got it cracked, but it was just all in all a joyous experience. To me, the key to directing, to be honest, is just surround yourself with brilliant people and let them do their thing
The best thing about me is that I am generally very honest - not hurtfully honest, but honest. The worst thing about me is that everybody can make me feel guilty. I feel responsible about things that don't even concern me.
It's fairly obvious, since Richard Nixon, that there is no such thing as a fair deal for any voter in the United States -- You're just not gonna get it. It's a joke -- the people that you vote for, they're the next best thing to criminals. But of course they have money for advertising campaigns that make them look a little bit better than they actually are.
All I want and all I even ask of people in Hollywood is look, just be honest with me. Please don't lie to me. Whatever the situation is, be honest with me.
One of the main things I look for in a guitarist is in the sound itself. I go for a certain sound, and I think it's an important thing for making a player more identifiable in the big giant pool of musicians out there. You want a sound that people will recognise just as much as your playing.
She put a hit on her boyfriend, so it's not like she hasn't murdered someone." "And you know that how?" Sam asks. I'm trying really hard to be honest, but telling the whole thing to Sam seems beyond me. Still, the fragments sound ridiculous on their own. "She said so. In the park." He rolls his eyes. "Because the two of you were so friendly." "I guess she mistook me for someone else." I sound so much like Philip that it scares me. I can hear the menace in my tone. "Who?" Sam asks, not flinching. I force my voice back to normal. "Uh, the person who killed him.
When I think of the things that I want to write, I can never say them out loud because I know how crazy they sound. I know what things sound like when you haven't actually worked on the script, so I don't go around saying some of these ideas because they just sound awful.
I'm not comfortable walking on a red carpet. I think a lot of people actually love that part of it. I'll never be a "look at me" guy. It's not in my DNA and I struggle in those situations. What gives me anxiety is knowing I have to be honest with people, and as much as people say they want honesty, the minute you give it to them, they don't want it. Sometimes I can tell I'm being baited for a certain answer and that's not the answer I give and I can tell it upsets them.
As crazy as it may sound, it's like my tranquil place, where I sit, and I have my candy for a minute, and I just space out, and it's just me and my candy.
When I try to sound like the contemporary sound, it never turns out that way. That's just me.
People ask me about all sorts of sounds. There's a sound of a screeching toy or a rubber duck and everybody asks me about that, but it was an absolutely random thing, just a cool sound.
I'm lucky to have friends who inspire me all the time. Watching other people teaches me and helps me to carve out my own sound. We're all just recycling on our influences. What you hear is the sound of those artists swirling around our insides and finding their way back out somehow.
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
Yes, it's in my left ear. It's excruciating... I mean, it's the worst thing 'cause it's not... It never... It does go away - it's not true to say that it doesn't but, uhh... It doesn't... The doctors say it won't... It isn't actually going away - you've just gotta suppress... They try to come to terms with what it actually... Why some people fear it - that's the psychology behind it. They know it's there but why is it such a horrible sound? Well, you can say why is a guy scratching at a window with his nails such a horrible sound - I couldn't put up with that! This is worse!
If someone comes up to me at a show and talks to me, if they're not freaking out about meeting me, which I'm just not very good at dealing with, of course I'll talk to them. I'm mean, they're a person. I'm not a monster. It may sound like bullshit humility, but I'm just a dude making music. I'd be doing this if no one was listening.
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