A Quote by Jeff Guinn

With hindsight, we recognize that the social and moral confusion of the late 1960s and early 1970s is part of a cultural cycle; we're in a similar time of upheaval now in the sense that the nation is divided upon itself, and some of the present schisms appear both terrifying and permanent. It's true that unless we learn from the past, we're condemned to repeat it.
The 1960s were a time of cultural revolution in Poland. And I was a part of that revolution. For me, those years - the late 1950s and early 1960s - were the most fruitful.
I had done some acting at school, but I wasn't particularly good at it. What inspired me was going to the Old Vic in the late 1960s and early 1970s, when the National Theatre was based there.
In the spiritual world there are no time divisions such as the past, present and future; for they have contracted themselves into a single moment of the present where life quivers in its true sense. The past and the future are both rolled up in this present moment of illumination, and this present moment is not something standing still with all its contents, for it ceaselessly moves on.
I was involved with Wells Fargo Bank as a consultant in the late 1960s and early 1970s, when I suggested to them that they develop a product that has become known as index funds.
I try to live in the present. I learn from my mistakes in an effort not to repeat them, but I remain totally focused on today and tomorrow. Many of my mistakes turned out to be incredible opportunities for growth, both professionally and personally, and therefore, in hindsight, they were deeply valuable.
You can't make sense of the present unless a part of you lives in the past.
The future is foretold from the past and the future is only possible because of the past. Without past and future, the present is partial. All time is eternally present and so all time is ours. There is no sense in forgetting and every sense in dreaming. Thus the present is made rich.
Those who cannot remember the past are condemned to repeat it without a sense of ironic futility.
When the new wave of terrorism came on the modern world, which is the late 1960s, early 1970s, I think we spent about a decade, the United States and our allies, trying to figure out how to deal with it.
If the UCLA teams of the late 1960s and early 1970s were subjected to the kind of scrutiny (other schools) have been, UCLA would probably have to forfeit about eight national championships and be on probation for the next 100 years.
The body must be regarded as a site of social, political, cultural and geographical inscriptions, production or constitution. The body is not opposed to culture, a resistant throwback to a natural past; it is itself a cultural, the cultural product.
Think there is nothing we can do to change the past, so we have to look at the present to make sure that the past will never repeat itself again.
When you educate a girl, you kick-start a cycle of success. It makes economic sense. It makes social sense. It makes moral sense. But, it seems, it's not common sense yet.
We learn in the past, but we are not the result of that. We suffered in the past, loved in the past, cried and laughed in the past, but that's of no use to the present. The present has its challenges, its good and bad side. We can neither blame nor be grateful to the past for what is happening now. Each new experience of love has nothing whatsoever to do with past experiences. It's always new.
I believe that hundreds of years from now, history will be divided into pre-1960s and post-1960s.
As Paretsky detailed in her short memoir Writing in an Age of Silence (2007), early optimism buoyed by the civil rights movement of the 1960s and early 1970s has, in her view, all but crumbled in the face of a bombardment of sadism and misogyny, the withholding of civil liberties, and the nation's move from proud speech into near-deafening silence.
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