A Quote by Jeff Hanneman
'Angel Of Death' was a big problem. I remember getting a phone call after the album was done: Sony wasn't going to release it.
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If I sample a song, I usually make samples out of the whole album. Then I move on after that. Doesn't mean I'm going to release that whole album, but I do that.
For me there's insecurity when you're releasing an album because you spend all of this time working on that one thing and then once it's done, it's done. After you put it out there to the public you never know which songs are going to work or even if the album is going to work as a whole so there is a little bit of nervousness around predicting what the numbers will be and if it's going to be well-received.
Eyes like streams of melting snow, cold with the things she does not know. Heaven above and Hell beneath, liquid flames to hide her grief. Death, death, death with no release. Death, death, death with no release.
You see the kind of approach, because he [Doanld Trump] is a businessman. He's like, I'm going to pick up the phone, I'm gonna call that CEO and we're going to talk about this directly, instead of getting mired in a lot of the way down, you know, bureaucracy and red tape and having 25 assistants or deputies talk to somebody instead of going directly to the root of the problem.
I am going to concentrate on what's important in life. I'm going to strive everyday to be a kind and generous and loving person. I'm going to keep death right here, so that anytime I even think about getting angry at you or anybody else, I'll see death and I'll remember.
If tomorrow I want to release a rock album or I want to release a bachata album, nobody can tell me anything - why can't I?
When I was in the Peace Corps I never made a phone call. I was in Central Africa; I didn't make a phone call for two years. I was in Uganda for another four years and I didn't make a phone call. So for six years I didn't make a phone call, but I wrote letters, I wrote short stories, I wrote books.
So, The Color Purple changed my life. It changed everything about my life because, in that moment of praying and letting go, I really understood the principle of surrender. The principle of surrender is that, after you have done all that you can do, and you've done your best and given it your all, you then have to release it to whatever you call God, or don't call God.
When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
As a little girl, I remember thinking how great it was going to be, to be a musician when I grew up, how I was going make a jazz album, then a country album, then a rock album.
I can't remember any of the films I've done. You go from one to another, and they all blend in to a big mass. You remember the costumes because you remember how you felt - that Western I did with Kevin Costner where I wore the big hat and the two guns, I remember that.
To me, there's a difference between going to a concert and getting a recording. It's almost like a different release. The physical album itself is the more meaningful one for me, but I don't want to tell people how to listen to music.
I can at least hearken to a time when I didn't have a cell phone, where I had to call my mom after movies collect from a pay phone, and when they said, 'State your name,' I'd say, 'Mom, pick me up,' and hang up the phone.
We are not going to release an album that we don't believe in.
I have dumped a girl over the phone. It's terrible, isn't it? We got into an argument during a phone call, so I basically said, 'I don't wanna be with you anymore,' and she cried. I saw her after that and it was a bit awkward.
[Music From the Edge of Heaven] wasn't really an album at all. The band had made the decision to release an LP and then split up. We wanted to go out with a bang in Britain and the rest of the world by having a single that was four songs, not just one song. But we couldn't do that over here because we couldn't release a single without an album.
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