A Quote by Jeff Hardy
It's also so cool to be able to develop the talent to be able to jump and control the motorcycle which is a very fun thing to do but it's hard to manage the two. It's so easy to get hurt, and that's the last thing I want to do.
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You work so hard at something to make sure that it's very pure and very genuine and very steadfast to who you are, so creative control for me is a big one. Thankfully, I've been able to retain 98% of it which I never really expected, so I'm very grateful to be able to control what I can.
A big reason why we were able to and have been able to continue to succeed is that we had a very intense work ethic, right from the beginning. There was a do-or-die attitude toward the work. It wasn't seen as a little "club." It was like, "This is your life." We would spend hours and hours rehearsing and endlessly rewriting. We took it very seriously right off the bat. And we were also extremely critical of each other, which was another thing that was unique. A lot of comedy ensembles have a hard time being critical of each other, because they don't want to hurt each other's feelings.
My favorite thing about playing a vampire is the stunts. It's just a new, fun thing to do. Especially as a girl, being able to be all dolled up in heels and little outfits and be able to kick boys' butts, I think it's a really fun, make-believe world to play.
People don't last long in this game. I feel blessed that I've been able to stick around and play at a high level for my entire career, which is another hard thing to do. That's the only way you stick around - if you're out there and you're able to produce and make plays.
Everything in life turns out to be a distraction from the real thing you want to do. There are a million distractions and when I was a kid I was very disciplined. I knew that the other kids weren't. I was the one able to do the thing, not because I had more talent, maybe less, but because they simply weren't applying themselves.
It is not always easy for a young player to come through at the club level, because all the clubs are able to buy for 20 million or 30 million and it is hard for young English talent to come through and to get recognition and be able to be part of the squad or start playing.
It seems a strange thing, but once I was able to get past that kind of self-image problem, I was able to open up in my comedy work and just go all out, take chances, and have fun with the performance aspect of that.
Most actors don't know what they're going to do next, so you get into this thing where you have to force yourself to have another life outside of acting. And then, as soon as you start something in this sort of normal life that you're trying to live, you get a job. So you have this constant struggle because you want to be able to commit to things and to finish things in your life, but then you also want to be able to act.
Virtue also depends on ourselves. And so also does vice. For where we are free to act we are also free to refrain from acting, and where we are able to say No we are also able to say Yes; if therefore we are responsible for doing a thing when to do it right, we are also responsible for not doing it when not to do it is wrong, and if we are responsible for rightly not doing a thing, we are also responsible for wrongly doing it.
I don't know how much things have changed. You still need to be able to run the ball, pick up blitzes and catch the ball out of the backfield. Perhaps you need a running back to do a little bit more or be more versatile today but that is a good thing. People say we get hurt and don't last as long, but it's still an important position and you need everyone in the backfield to be able to contribute.
It's fun when the writers take risk regardless of the reaction that it might get, and that's fun for an actor. You're able to not just play one thing all the time.
For me, collages manage to - it satisfies all of my madness, like I'm able to make these obsessive things, but then I'm also able to make these very strong statements. I don't know what they mean to other people, but in my mind, they have a very strong particular resonance; there's sort of a power.
The biggest thing I tell the boys is control the heartbeat. It's hard to do, but we've gotta be able to control the heartbeat in big moments because it goes really quick. So just stay in that moment and focus on the moment, don't get ahead of yourselves, and just play the game that we've been playing all year.
I love that I can stay connected with my fans and be able to tell them what's going on - their opinions are so important to me. But at the same time, it's very weird. I think the Internet can be a great thing but also really evil. Something can instantly hurt your feelings.
I'll tell you what you need to be a great scientist. You don't have to be able understand very complicated things. It's just the opposite. You have to be able to see what looks like the most complicated thing in the world and, in a flash, find the underlying simplicity. That's what you need: a talent for simplicity.
A picture book is a motorcycle: small, loud, fun, and zippy.
An easy reader is a chartered bus: obliged to carry a rather dull passenger roster of sanctioned curriculum, plus the baggage of an approved, limited vocabulary. The trick is to design your chartered bus to be as cool and sexy as a motorcycle.
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