A Quote by Jeff Hardy

It's good to establish moves that fans are always going to recognize and scream for. — © Jeff Hardy
It's good to establish moves that fans are always going to recognize and scream for.
It's going to be crazy. The fans in Venezuela are tough. They scream. We get to face the Dominicans in the first game - it's going to be crazy, they're looking for revenge. Our fans are loud, so are theirs. But that's good. It's going to be crazy.
You need to let the drivers go for it, and if they bang wheels, too bad. It's fun, it's a good show, the fans are up in the grandstands, and they can scream and shout about it... that's good; that's what you want.
I've always felt that I shouldn't scream on the air...I just feel there's a way of rising enthusiastically if there's an exciting play, but you don't have to scream. There are people who do shout, and I think that's unnecessary. You have to be under control at all times, no matter what's taking place. Enthusiasm and excitement can be expressed without going berserk.
I'm always going to be a Rangers fans and I'll always look out for their results. But if I thought the fans would have me back, then I'd always have that door open.
Type design moves at the pace of the most conservative reader. The good type-designer therefore realizes that, for a new font to be successful, it has to be so good that only very few recognize its novelty.
It's not like I'm going to go out and change the world and convert everyone into MMA fans. There's going to be fans out there who are fans of combat sports and fans of contact sports but not everybody's going to be converted.
There are great fans in Chicago. I think you'd rather have them recognize than not recognize you.
With scheduling and the way projects come up, I take the first thing that interests me and that moves me. If it's going to be fun, if I'm going to have a good time, and I'm going to enjoy the people I'm with, then that's a good enough reason to do it.
Sometimes you get bored of the same moves, but you know that there are those moves that those fans love.
I was still owed an explanation, I thought, but so what? What good was it going to do me? It wouldn't have made me any happier. It was like scratching when you have chicken pox. You think it's going to help, but the itch moves over, and then moves over again. My itch suddenly felt miles away, and I couldn't have reached it with the longest arms in the world. Realizing that made me scared that I was going to be itchy forever, and I didn't want that.
You have to trust your instincts and hope the fans like what you do, but you don't gut check with the fans. If we're going to make a series, people are going to have a lot of opinions and if there's one overwhelming majority or one thing you continuously hear repeated from the fans, you certainly take that into account going into next season.
I did know that I could do scream very well. When I was in high school, I got a very strange job one Halloween filming screams for a radio station. I would just go into a soundstage and scream and scream and scream, and everybody would put on ear plugs, so I had an inkling.
Amateur wrestling, you can go by instinct. Pro wrestling, you have to memorize, and you have to go by what moves you said you were going to do. Sometimes you have to feel the crowd and do the moves at the right time and know the timing and tell a good story.
As an athlete, it's always good when you can do things with the fans, try to connect with the fans.
Kurt Angle, I knew he was from Pittsburgh and I knew his background very well and his amateur days and, of course, going to the Olympics and all that. When he went into professional wrestling, he was very good at adjusting and displaying a lot of great moves. It was something that the fans could look at a say, hey, that's wrestling.
A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.
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