A Quote by Jeff Jarrett
Whether it's a song you write or a television show or a movie or professional wrestling, there are three components to IP law. There is publishing, there are writers, and there are performers. The publisher is always the owner.
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I have always discouraged young writers from self-publishing, by which I mean going to a vanity publisher and spending your hard earned savings - say, some two-three lakhs - and getting your book printed. It's not published; it's printed!
If you have five weeks to write an episode of television or seven months to write a movie or several years to write a book, each of those things is going to be better than a live television show.
While writing my first 90 books, I was magazine editor, publisher, book publisher, executive, etc., so I was established in publishing. three of my seven or so books were biographies of sports stars and really opened doors for me in that area.
When people in my generation started to write, we did not actually have much of a movie industry, much of a theater scene, much of a television industry or other creative outlets. But we had a lot of aspiring writers. All that has changed. We now have a movie industry, television industry and lots of theater. But we have retained a large contingent of writers and a dedicated readership. The larger number of people in society who value writing, the larger number of good writers will be produced. That's my belief. It raises the bar.
I have been sent three or four scripts for television series, but there wasn't anything I really wanted to do. I want to tell a good story, whether it's a TV show, a movie, whatever. That's really my No. 1 criteria.
I was just lucky to be there ahead of the curve to be the driving force behind bringing this amazing style of wrestling from Japan that combined Lucha Libre, American professional wrestling, Canadian professional wrestling and Japanese wrestling all into one beautiful mix that fans worldwide absolutely can't get enough of.
I'm good at professional wrestling, and I always will be good, but what's always been different about me is that I can't completely focus on professional wrestling.
I am into professional wrestling. Only Greco-Roman and freestyle wrestling can qualify in Olympics. I chose professional wrestling for fame and limelight and good money.
One of the best pieces of advice I ever got in professional wrestling was use the exposure from cable's number one rated television show to transition and move on to what you want to go into next.
I think that comes with a collaboration with the writers. I think that we get cast in edgier roles because we are a little more offbeat, so people - as we get to know the writers, and as the writers get to know us, they start to write around us more, and that's why I think the pilot is not always the best way to get to experience a new television show, because we're fitting ourselves into these characters. Whereas as the show evolves, they're writing the characters for us and for our strengths and weaknesses.
'Lucha Underground' really is the first episodic professional wrestling show. There are storylines in every promotion, but the way 'Lucha Underground' is crafted really is more of a TV show than your traditional wrestling show.
I always felt that it was easier to take a funny person and teach them to write television than to take somebody who was a television writer and make them funny. And I discovered a lot of great writers that went on to do a lot of great shows like 'Seinfeld,' 'Friends,' you know, 'Three and a Half Men.'
Bobby is the Aaron Rodgers of managers in professional wrestling - Rodgers works magic on the professional football field, but Bobby Heenan did the same thing in a wrestling ring, in a television studio, on a radio program, and he could do the same thing in a newspaper layout. He was a great communicator, and he knew how to generate heat with fans.
The challenges in taking any IP into any other platform are best met by empowering the individuals that can work best in that area and that is one of the things that I really admire about Marvel as a company. They go out and find the best people, whether it is to draw a comic book or create a television series or make a movie.
Print-on-demand and electronic self-publishing options have made it easy for anyone to set up a business as a publisher whether they know what they're doing or not.
Inexperienced fiction and creative nonfiction writers are often told to show, not tell - to write scenes, dramatize, cut exposition, cut summary - but it can be misguided advice. Good prose almost always requires both showing and telling, scenes and summary, the two basic components of creative prose
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