A Quote by Jeff Kinney

I can tell you that the book 'The Ugly Truth' is about puberty and all the awfulness that comes with that time in a person's life. It was definitely some different subject matter to be writing about, especially knowing some of my audience are second and third graders.
Anyone writing a picture-book biography of Lincoln has a different set of responsibilities from someone writing a biography for sixth-graders, say, or from a Lincoln scholar writing an academic book on Lincoln. Each of these writers has a different audience and different goals. That's obvious.
The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.
The Bible is a wonderful book. It is the truth about the Truth. It is not the Truth. A sermon taken from the Bible can be a wonderful thing to hear. It is the truth about the truth about the truth. But it is not the truth. There have been many books written about the things contained in the Bible. I have written some myself. They can be quite wonderful to read. They are the truth about the truth about truth about the Truth. But they are NOT the Truth. Only Jesus Christ is the Truth. Sometimes the Truth can be drowned in a multitude of words.
No matter how many times people say it - 'Oh, I'm just writing this for myself' 'Oh, I'm just doing this for myself' - nobody's doing it for themselves! You're doing it for an audience. So whether I'm performing or writing a book or playing music, it's definitely to be put out there and to be received in some way, definitely.
Somewhere in this process, I begin reading and showing my book to my audience. When I say my audience, I mean a single imaginary child who is a blend of myself as a young person, the students in my wife's classroom of first- through third-graders, and the students from two classrooms I visit regularly in the Bronx, New York.
I was aware that you weren't supposed to write about suburbia, that it was undignified in some way, the subject matter not momentous enough. And so, for a long time, that kept me from writing about it. But once I began, I realized it was just as interesting as anywhere else.
Some people are scared to tell the truth, but I'm going to tell you the Good, the bad, the ugly," it's like, "Let's go there. Let's talk about it."
When you have a lot of time, when you're not working a full-time job, you have a lot of time to question things and think about things. Some of it's about romantic relationships, some of it's about drugs, about religion, about this mass of humanity traveling through life doing all this crazy stuff, not really knowing why or for what.
Writing about someone well known removes that obligation of defending it as a subject, but it also means that some of the surprise and freshness is already gone. It's so different - in some ways much harder for me.
I don't for one second think about the possibility of censorship when I am writing a new book. I know I am a person who cares about kids and who cares about truth and I am guided by my own instincts, and trust them.
I think you reveal yourself by what you choose to photograph, but I prefer photographs that tell more about the subject. There's nothing much interesting to tell about me; what's interesting is the person I'm photographing, and that's what I try to show. [...] I think each photographer has a point of view and a way of looking at the world... that has to do with your subject matter and how you choose to present it. What's interesting is letting people tell you about themselves in the picture.
This time, there have been a lot of interesting discussion about the subject matter and I've had a good time talking about it. And in some of the cases, I'm not just signing books; I'm showing slides and talking about the work.
This time, there have been a lot of interesting discussions about the subject matter, and I've had a good time talking about it. And in some of the cases, I'm not just signing books - I'm showing slides and talking about the work
If a person chooses not to be a writer, or speaker, then (by definition) the person is choosing not to be engaged in an effort,"to bring the truth about matters of human significance to an audience that can do something about them," apart, perhaps, from some circle of immediate associates.
In the '90s, we are all our own gurus, offering truth to each other. My message is that we all have a truth inside of us that we must tell. The synchronicity of life is all about becoming clear, knowing what that truth is, watching and taking advantage of the opportunity to express that truth, and knowing how to present it.
By the time I was writing the second book, my life had changed rather dramatically, thanks to the intervention of television, and I needed to find a way to discuss that. Otherwise the big, fake book would not be true on some level.
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