A Quote by Jeff Kinney
It seems that when anything aimed at kids catches on, it causes the collective antennae of the older set to go up.
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I think it's important to let kids be kids and be cautious about accelerated sexuality as pressure to mature too quickly. My hackles go up when I see a teacher making kids feel like they are older, special, mature. Let kids be kids.
I set up playdates, and I'm a morning greeter for the car-pool line. I also make albums with the family photos. When the kids get older and go on their way, we'll have all those pictures to revel in.
The national school is not a lecture hall or a library. Its schooling consists chiefly in experimental collective action aimed at the realization of a collective purpose.
I've played a lot of fathers in my life, and it seems that my kids are getting older and older in films, and I'm always surprised at how good they are.
The fishhook catches the fish; the truth catches the lie; the death catches the life; the love catches the hate!
The idea of being at home and picking up kids from school and cooking dinner and then the husband comes home - there's something that seems really nice to me 'cause I never had that growing up. And it seems so enticing. But in my mind, I'm like, 'Well, I'll just play that in a movie and go about my own life, bizarre as it is.'
I get very protective of kids on set. I always make a point of telling kids that anything that makes them feel unsafe or concerned they should just speak up about, and then keep an eye on times when that could present an issue.
Thanks to 'I'm Yours,' I'm probably set for a really long time. The pressure I put on myself, or what I hope my 'I Won't Give Up' does, is to make a difference in people's lives... With 'I'm Yours,' I got to go out and set my feet on different continents, and expose myself to different cultures and causes.
Even when we tell kids to go play, what do the kids do? They come up with a set of constraints and structures. "Oh, we're gonna build a fort out of clothes, and now that we're in the fort we're going to pretend that we're prisoners," or whatever.
I grew up in a tough neighborhood where a lot of kids were older than me. The older kids decided to pick me on me starting when I was about 6 and it didn't take me long to take a stand for myself.
The stylish kids on the street, they're the ones that set the trends. The designers see what they're doing and go and design their line and sell it back to the same kids, and it's like, why not go directly to the source?
Certain roles for older women are aimed at certain older actresses - I'm not one of those. I've been offered any number of Puerto Rican grandmas that I've turned down.
You tell your kids that no matter what, you set your goals and you go for them. Whatever it is you achieve, never give up. You want your kids to have that good attitude, the confidence, and the will power to believe in themselves.
The message from history is so blatantly obvious - that free trade causes mutual prosperity while protectionism causes poverty - that it seems incredible that anybody ever thinks otherwise. There is not a single example of a country opening its borders to trade and ending up poorer.
A funny thing about near-future stories: the future catches up to them. If the author is unlucky, the future catches up faster than the book can get out the door.
I don't know if I've come of age, but I'm certainly older now. I feel shrunken, as if there's a tiny ancient Oliver Tate inside me operating the levers of a life-size Oliver-shaped shell. A shell on which a decrepit picture show replays the same handful of images. Every night I come to the same place and wait till the sky catches up with my mood. The pattern is set. This is, no doubt, the end.
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