A Quote by Jeff Kinney
Looking back, I realize my favorite stories weren't in books, they were in comics. On top of being a history enthusiast, my father was also a comics fan, and he kept his stash in the top drawer of his dresser, in easy reach of a kid making a beeline to the bathroom.
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I'm a huge Howard the Duck fan. For people who don't know, I'm a huge Marvel Comics fan, but Howard the Duck was maybe my favorite character as a kid. I went back, and I collected all of those comics. I had every comic he was ever in.
As a fanboy, I was raised on the Marvel Universe, so I was very familiar with the 'Deadpool' world. On the other side, the 'X-Men' comics were one of my top five comics, so to be one of them, especially Colossus, is an incredible thing after years of creatively visualizing him since I was a kid.
When I was a kid, back in the '40s, I was a voracious comic book reader. And at that time, there was a lot of patriotism in the comics. They were called things like 'All-American Comics' or 'Star-Spangled Comics' or things like that. I decided to do a logo that was a parody of those comics, with 'American' as the first word.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
Comics were going down for the second time and here, all of a sudden, came this thing and for the next fifteen years, romance comics were about the top sellers in the field; they outsold everything.
I live making comics. Comics is an industrial art but less suffering, because comics are for young people who are more adventurous. I do that. I live off comics, and then I write books, but when you want movies, you cannot make movies without money.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers.
I think comics in New York are interested in being comics. And there're comics in L.A. who are touring comics, who are certainly more interested in stand-up, but a lot of L.A. stand-ups are really looking to do something else.
I don't really have any great interest in writing for movies. Comics, to me, is a much more promising field. There's still a lot of ground to be broken in comics, whereas movies, to a degree... I don't know. They're a wonderful art form, but they're not my favorite art form. They might not even be in the top five of my favorite art forms.
But what struck me was the book-madness of the place--books lay scattered across the unmade bed and the top of a battered-looking desk, books stood in knee-high piles on the floor, books were crammed sideways and right side up in a narrow bookcase that rose higher than my head and leaned dangerously from the wall, books sat in stacks on top of a dingy dresser. The closet door was propped open by a pile of books, and from beneath the bed a book stuck out beside the toe of a maroon slipper.
Comics shouldn't be 'tools' for anyone's agenda except for the characters. And I am speaking only of super hero action comics. I love many of the alternative comics that are like journalistic stories. Documentary comics, a mix of reportage and fiction. Those are just great.
I got into comics about the same time as music. By 12 years old, I had discovered my dad's killer comic book collection filled with Silver Age books from his youth...early Spider-Man, Thor, Fantastic Four, The Hulk, Detective Comics, Action Comics, you name it. Seeing those old books got me interested in new comics, so my friends and I would hit the local comic shop every Saturday to pick up the cool titles of my generation.
Comics as art. I do comics as comics, and my opportunity to tell stories. Simple. Basic. Let the characters have the excitement, not the package. That's where I come from.
There are a lot of good comics, no doubt, but as far as the quality of the comics goes, I think what you have is a bunch of situational comics - there are black comics that work only black crowds, gay comics that do only gay crowds, and southern comics that only work down South, and so on with Asian, Latino, Indian, midgets, etc. The previous generation's comics were better because they had to make everybody laugh.
I've always been a Marvel fan. As a kid, I would pick up a two-foot stack of comics and read them in the back of my dad's car on long journeys across the States. That's how I used to make friends - I'd meet up with other kids, and we'd swap comics.
I am, of comics I was never as big of a fan as I probably could have been I suppose but I'm definitely a fan of science fiction fantasy. My interests were in fantasy more than comics growing up.
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