A Quote by Jeff Kinney

I write in reverse: Rather than come up with a narrative and write jokes for that narrative, I write jokes independently of the narrative, then I try to fit them in.
I'm not good at narrative; I'm really a gag writer, and that comes from being in the newspaper comic strip world for a while in college. What I do is I just write tons of jokes, then I sort them out in terms of quality and then pick the best of the jokes and then try to form them into a plot. If I get a good theme going, I feel lucky.
I try not to write jokes that are mean. I try my best to write jokes that are pretty universal and jokes that don't attack anyone. I know I often fall short of that and end up taking unfair swipes at people, but I try not to.
I certainly believe you can write a narrative lyric or a lyrical narrative - why not a nyric or a larrative?
It makes more sense to write one big book - a novel or nonfiction narrative - than to write many stories or essays. Into a long, ambitious project you can fit or pour all you possess and learn.
Every work of history is a combination of argument and narrative. The longer I write, the more I emphasize the narrative, the story, and the less attention I give to the argument. Arguments come and go.
I don't write fiction but I do write narrative; I write memoirs that I treat like stories, so whenever I'm using somebody I actually know as a model, I am submitting them to the agenda of a storyteller, and I feel free to do what I want.
I don't write jokes first. I write down topics. I think of what I want to talk about, and then I write the jokes - they don't write me... And even if you don't think it's funny, you won't think it's boring. You might disagree, but you'll listen. And maybe even laugh as you disagree.
I need to tell the things that are important but which don't make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction.
I don't know if anything I write will endure, but I do try to write it as a narrative that will not only challenge but also entice the reader into the lives of children.
I try to write three jokes every morning, although I don't know what they are. I write them as fast as I can, then I put them away for a month. So I couldn't even tell you what they are, or if they're good. I just assume they weren't.
I try to write three jokes every day. I don't sit down and write them, it's just things that pop into my head. Then I'll go watch it fail onstage that night.
I have this natural thing in my head that when I sit down to write something serious, I tend to make jokes. I can't help it. I can't help but desire for the narrative to be as complicated and as truthful as possible. That's just the way my head works.
The crime part is the engine that moves the narrative and allows me to write the other things I want to write about.
You can write jokes at any point of the day. Jokes are not that hard to write, or they shouldn't be when it is literally your job.
I feel like there's already a written narrative going on everywhere. All the different situations and realities you're in, like words floating by. It's something that I didn't start thinking about until recently, but you can hitch that ride, that narrative that's already been created. You just have to read it and write it down.
I'm interested in taking raw human emotions and then isolating them without any narrative structure. In order to achieve this, I try to break out of the narrative conventions that you'd see in a typical feature film.
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