A Quote by Jeff Kinney

There are two ways to look at my publishing career. One is that I'm a novelist churning out books, who is eight into a series; the other way is that I'm a cartoonist, just starting out. Most cartoonists have long careers: Charles Schulz drew Peanuts for 50 years.
For me, the very last great strip is 'Peanuts.' After 'Peanuts,' there are a very few strips that I enjoyed for different reasons, but I don't think they were great. I don't think anything's come along since Charles Schulz - and I mean since 1950 - that I think rises above the professional or the eccentric into that realm of greatness.
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
I never saw myself so much as an actor. I wanted to be a cartoonist like Charles M. Schulz and create my own world and be able to have a studio at home and not commute and be able to be with my family.
In many ways, my entire graphic novel career was a long diversion. Originally, all I wanted to do was to be an underground cartoonist and maybe bring out a groovy underground mag.
Too often cartoonists just look at other cartoonists and, after a lot of inbreeding, everyone has the same funny look. The challenge of drawing is that there is no one right way to visually describe something. It's a good thing to confront your limitations and preconceptions every so often.
I remember that Charles Schulz, at the end of his life, had eyes full of tears for Charlie Brown. I thought about the reason for all his emotion: he had lived for 50 years with them.
I never wanted to be the person who said, "I woulda, coulda, shoulda." Life is way too short, and you may not last that long. I dropped out of Yale after two years to pursue one of the most uncertain careers - modeling. That seemed like a crazy decision, especially coming from where I came from and given what Yale is. Most people I knew told me so. But I was following what my heart was telling me I needed to do. I took the risk. It could easily have not worked out, but it did. Phew!
I have a publishing company of books by me and books of others. It drew people to poetry readings and photo exhibitions and painting exhibitions that I've been doing for years before that.
I think we can rule out 'mixed brain dominance' as a cause of your poor performance at school, Charlie Brown" "Have you ruled out stupidity?" "Peanuts", Charles M
It is so weird to be on this side of that, because when you're starting out, and it seems like you're starting out for so long, you look up to the people who have made their mark. And you sort of want to be that.
That's what I find with any good song, you just have to let it happen. Out of about twenty songs you might write, one of any significance. It might be thirty or forty, but I just keep churning them out and churning them out in hope that one of them will stick.
Cartoons were very conservative. The country was very conservative. Although the liberals were allegedly in charge for a long time, there was a very acceptable balance what people would talk about in public. And I wanted to stretch those and move further out. And as the civil rights movement began, I started doing cartoons on that and on sit-ins and I was, along with Bill Mauldin, a great cartoonist out of World War II, arguably one of two white cartoonists doing this kind of work, Bill and me.
Someone asked me recently if marriage is 50-50 - it averages out to be 50-50, but sometimes it's 75-25, sometimes it's 90-10. In the end, it has to average out to be 50-50; that's how you support each other.
Early in my publishing career, someone told me I'd need to have five books in print before I could quit my job as a journalist. Turns out it was closer to 10 books. It also turns out that while it's great to see my titles on bookstore shelves, my best customers are schools and libraries.
I think consistency, that's one thing that I look back over my career. You could count on me catching around 80 balls a year or whatever, almost eight, nine touchdowns. And I only missed two games out of 17 years, I'm pretty proud of that, too.
I'd never really been content with just churning out these slim volumes every three or four years. I've always tried to think of poetry as an active ingredient in the language rather than just something that appears between the covers of thin books.
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