A Quote by Jeff Koons
I'm basically the idea person. I'm not physically involved in the production. I don't have the necessary abilities, so I go to the top people.
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Development is the first phase. People write a script, you get concept art. You get to a point where you get a green light, which is basically a production company saying they're going to put the money up to make the movie. Then you go into production.
I am always looking for inspiration. I always live in big cities where I can go every day to a museum, see a lecture, meet people that are artists, go to the cinema. For me, it's like food. It is necessary for my personal growth as a person to grow as an artist, I go basically every week to three or four things. But it's real life that inspires me - when I meet somebody, when I see something.
If you want to promote anything, all the work that you put into it is basically promoting the idea of it so that people will go for it. And if they don't go for it, you can't institute it. You can't do it.
I would say the producer is the person who is there from the beginning to the end of the project. Either the person who creates, generates, or discovers the project, the person who performs many of the functions that are necessary to getting that project to the point where it is financed and then where it is in production, finished, marketed and released.
All singers, no matter how gifted, should always try to go improve. And all students begin in the same place despite the level of their talent. It's like bodybuilding: All people who train use similar exercises no matter how naturally physically endowed a person may be. I have worked with many of the most brilliant singers in modern music and it's always the case that they have a great deal of under-realized potential no matter how amazing their abilities.
Basically, we had the idea of doing this production of 'Steel Magnolias,' and we spoke to Queen Latifah about it, and she got excited.
Going from idea to production is a huge hurdle. It took me a while to overcome it. It's basically all about self discipline, right?
My identity is mostly as a songwriter and lyricist and singer. I also have a lot of production ideas but I have my own limitations in terms of what instruments I'm actually proficient at and what I can do myself, so I really love working with people on the production end; just really going for it with orchestration and instrumentation and production. That's where I see myself going: maintaining my integrity and abilities as a songwriter, but applying it to different contexts, to where I can put on a huge feathered costume and roll around in the ocean.
My career always involved being the person in charge of what I was portraying to people. "I never wanted to be an image of something I didn't believe in, an image that somebody else had put together. The idea of that just really scared me, more than the idea of failing.
Today a record producer is even more involved and is often the production's sole musician, one person playing all the instruments one-by-one.
I'm always producing with the idea that the music is representing one person. That could play a factor in the intimacy of it. I'm always producing for that one person, never for a group of people - especially if it's non-danceable. I'm always thinking that one person's going to listen to this and that person might want to feel a certain way at a certain time. That can be out in space, it can be at the bus stop, it can be laying in bed listening to music. I look at it as if I'm whispering in someone's ear, basically.
Basically, I have no place in organized politics. By coming to the British Parliament, I've allowed the people to sacrifice me at the top and let go the more effective job I should be doing at the bottom.
Washington was a swamp. It was not somewhere that they believed people would want to go, so the idea was that people got involved as a public service, not to make a career out of it.
A great power has to have the discipline not only to go when necessary but to know when not to go. Getting involved in ethnic, religious civil wars is a recipe for disaster.
The craft of officiating is taught that people come and pay top dollar to see people like Shaquille O'Neal, Kobe Bryant, LeBron James, all the stars, and you have to make sure when you blow the whistle against those individuals that it's a foul that you basically can't let go.
To me a lawyer is basically the person that knows the rules of the country. We're all throwing the dice, playing the game, moving our pieces around the board, but if there's a problem, the lawyer is the only person that has actually read the inside of the top of the box.
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