A Quote by Jeff Koons
I'm interested in power. I'm interested in the kind of polarities and equilibriums that take place within sexuality and philosophy and sociology. So in Versailles, in this type of setting, you have a place that is about absolute control, where everything has been thought about.
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Everything that you could think about in life, or experience, or be interested in, theoretically should be expressed or dealt with in cinema. But the way typical narratives are set up, there's no room for philosophy, because it's just digressive material. It's not advancing the plot, so there's no place for it. It's the kind of stuff you would cut out, and that you shouldn't have put in there to begin with.
One reason I like to talk about Heaven, think about Heaven and read about Heaven is because, after all, that's where we're going to spend Eternity, so it's a pretty important place and we ought to be pretty interested, don't you think? It's our Eternal Home, the place Jesus has gone to prepare for us forever, so we certainly ought to be interested in it and want to know what it's like and what we're going to be like when we get there!
And again, we're kind of trying to be in that place, that's just so absurd and irreverent and hysterical and it's something that at our company we're kind of, we're so irreverent about everything, we're sort of irreverent about the establishment, we're irreverent about civilization, we're irreverent about philosophy, we're irreverent about religion.
I make films about working class people. All my films have always been about that. For example, the brothel is a workplace. It's aberrant, but a workplace nonetheless. I was more interested as opposed to glamorizing and saying, oh, this is a great erotic place, it's a place of business. The commodity is sex.
You've probably heard about the theory of steam-engine time - that even after the steam engine had been invented, it had to wait until people were ready to make use of it. The same thing happens in literary circles. The truth is, I'm not terribly interested in Victorian times; I'm interested in Victorian writers. I'm interested in most eras of history, but not the Victorian Era especially. I was interested in the John Franklin Expedition. I was interested in these last five weird years of Dickens' life. And I just have to take the age that comes with all that when I write about it.
The absolute transformation of everything that we ever thought about music will take place within 10 years, and nothing is going to be able to stop it. I see absolutely no point in pretending that it's not going to happen. I'm fully confident that copyright, for instance, will no longer exist in 10 years.
I'm very interested in buildings that have meaning for a particular place. I suppose it feels slightly rude to me if the imposed style that lands in a place is almost stronger than the place. For me it's about inventing a solution for each place; if people then want to know who did it, then great.
I don't think I was talking specifically about Steve Jobs. It was just a general philosophy about one person grows up and he's kind of managing companies and every day he's working making sure this is in place and that's in place.
The forest has always been a place, in fairy tales and in Shakespeare, where you go and discover who you are. You get stripped of everything you thought you were, some type of ordeal takes place, and you come out stronger.
The impetus for 'Power' was me writing about my dad, who was an advertising executive and very interested in image. He thought that perception was reality and what people thought of you was what was real about you.
I've always been interested in the Southwest. There isn't a place in the world you can go where they don't know about cowboys and Indians and the myth of the West.
When you start witnessing something without thought, there is no obstruction for absorbing the knowledge about that thing because there is no thought. It's complete absorption which takes place. And then it manifests. This is how the Divine Power works within us. So with our gravity, what we do is to touch that depth within us, which can carry the Divine Power and manifest.
certainly the women's health part is something that I've become very interested in. It's not something I thought about when George [Bush] was elected...what I'd always been interested in was education.
I'm not interested in current events per se, but I am interested in how certain aspects of social or public life that might seem ultra-contemporary actually take their place in a long American continuum.
I do want to write about social/cultural/historical context. I'm interested in relationships, in character, but within a specific social context. Which is kind of a political thing, I admit that. But it's what I'm interested in, and it's how I believe human behavior is legible.
I've always been interested in the news, but I've always been interested in what's popular. I've always had a little bit of a populist take on things. Which I know is interesting when you talk about Donald Trump.
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