A Quote by Jeff Koons
I don't think irony is about judgment; I think irony is something like, "Oh, that's interesting," because it's not something I think one starts off to achieve. I think it's just something that presents itself. And if it does, I find it's usually optimistic, not negative in its terms.
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Never think of revising as fixing something that is wrong. That starts you off in a negative frame of mind. Rather think of it as an opportunity to improve something you already love.
I think when you take forever off the table, it does something really interesting to what you think is important. There's something a little freeing about it.
There's something about us using the word fascism and thinking about, "What is it? What does it mean, and what are the tenets of it?" I've been thinking a lot about folks denying what has happened in history, or just not acknowledging it. I think there's something that's fascist, and something that I think we could probably learn from, in terms of the energy in the world right now.
In terms of writing, I think something happens to you, and you think, "Oh I'm going to write about that. That's an emotional event." But obviously, if you keep going, and it's something you do with regularity, you've got to find other ways to write.
We like to think, in our anthropocentric way, that irony means that you transcended something, but actually, what it means is that you've realised that you're stuck in something, and you have this kind of uncanny awareness of that, and there's not much you can do about that feeling of stuckness.
I don't think I see the world in terms of stupid or clever, but in terms of being able to get irony. There's some awful statistic about only 20 per cent of Americans being able to understand irony.
There are all these languages that keep people in place that conform us to a set of terms. It's why I think the whole idea of identity as something that is something of a straitjacket. That most of us like to think of as natural and innate. That we just find and go, 'Yeah, that's who I am.'
I think what maybe starts out when you're younger as being something about slightly showing off or being given applause because people think that you're good at something, as you get older it becomes less about that and it becomes more about the fascination of why people do the things that they do.
I think when you take forever off the table, it does something really interesting to what you think is important.
I think the only way to achieve something that's classic is to be in the moment. You don't sit around and think, 'Oh, I hope this is remembered forever!' You just have to be honest, and I think that requires being in the moment.
One of the things that writers worry about is finding a voice. I don't think it's a thing that you find so much as it is something that comes to you, or that presents itself.
I think there's something to the millennial sentiment of being, like, 'I'm great.' But I think there's also something really amazing and powerful about being, like, 'Oh, hey, I'm awesome.' It's a fine line. But I think it's possible to be both, to not be the most annoying person in the world, to still be very intriguing and fun to watch.
Honestly, with stats and things like that, I try not to think about them. I just find that the more you think about goals and assists - what you need to do and accomplish - the more you tend to fall short. When you hope for something and you want something, it comes to you.
I feel like you have to earn something with an audience. If I just did it now, I think producers on any superhero movie, I think they wouldn't trust me to do it the way I'd want to do it, because I'd want to do something basically really strange. I think you have to earn that freedom to do stuff like that. So I think, if I keep kind of chipping away, trying to do good movies and interesting, strange movies then people will eventually trust you to do that on a bigger scale.
I always find music guys writing about love. Think of something else for a change. I'm sorry, but it's been done, and it does work and it's good and all that, but I think something else would be nice.
Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.
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