A Quote by Jeff Lemire
I'm not a big fan of introducing a bunch of new mysteries into a story without really knowing where they're going because you just end up struggling at the end to make sense of them and make it all seem like you planned it all along.
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When I first got to college, in my mind, I was going to end up playing professional football. When I tell people this story, they always end up laughing, and I chuckle about it at my own expense. I was a big fan of American football; I played in high school, and I ended up earning the opportunity to play in college.
I literally make music for my wife and my friends. I don't feel beholden to my fans. I don't even really know who they are. But, I know that this whole thing started with me making stuff that I got off on, and I've gotta believe that that's how it's going to end, too. That's the only way it can go. There are a lot of artists who have gotten pretty caught up in that. That's why I like the defeatist attitude. Just assume that no one is going to like it and that no one cares, and you'll end up making something that you really like.
I'm really not good at anything else, so if I don't make it as a musician, I'll probably just end up living in the woods with a bunch of dogs.
I really love Paul Smith. And Chrome Hearts. They make the most beautiful, high-end leather and outerwear and jewelry you've ever seen. But I'm not a big fan of shopping. I certainly am a fan of clothes and especially people that put time into the construction of them.
In the end, the railroads made America and nanotech will make the 21st century, and that is the end of the story. The beginning of the story and the end of the story.
When we're in the story, when we're part of it, we can't know the outcome. It's only later that we think we can see what the story was. But do we ever really know? And does anybody else, perhaps, coming along a little later, does anybody else really care? ... History is written by the survivors, but what is that history? That's the point I was trying to make just now. We don't know what the story is when we're in it, and even after we tell it we're not sure. Because the story doesn't end.
The song is about knowing the end result of every situation you're in, and being able to play it out in your mind and see it before it happens. It's about addiction, really, about knowing how it's all going to end up. In that sense, you're watching a movie of yourself all the time - and then you want out of that movie.
You believe you can make it every year. You don't think it's going to end. But the reality is that most teams, you end up in, you end up out.
History, in the end, is only another kind of story, and stories are different from the truth. The truth is messy and chaotic and all over the place. Often it just doesn’t make sense. Stories make things make sense, but the way they do that is to leave out anything that doesn’t fit. And often that is quite a lot.
Curating, in the modern sense, is something I gravitate to. Taking different ideas from a bunch of different places and putting them into one place or space, a story that makes sense or a new idea. Everything is remixed and taken from other things to make something new.
Deep practice is built on a paradox: struggling in certain targeted ways-operating at the edges of your ability, where you make mistakes-makes you smarter. Or to put it in a slightly different way, experiences where you're forced to slow down, make errors, and correct them-as you would if you were walking up an ice-covered hill, slipping and stumbling as you go-end up making you swift and graceful without your realizing it.
I don’t mind if the character is a small character, but I would just like her to have a journey in the film. Sometimes the characters are just there as a prop to further the man’s story. The great directors I’ve talked to, I’ve said listen, I don’t mind playing a woman that is a tiny part, but how does the story affect her? What can I play in the end that’s different from the beginning? Otherwise, it doesn’t make sense, because it’s just like being a prop.
Most of my stuff is just a series of false leads. I'll approach a story as a subject and then make a whole bunch of different runs at the lead. They're all good writing but they don't connect. So I end up having to string leads together.
I've always been such a fan of short films - in fact, I never considered that I would actually make a feature. I just thought I wanted to make shorts for the rest of my life. They are a lot harder to have shown and a lot harder to find and see as an audience, but I don't know. It's just a form that I really love. I was just making them for the process, but ultimately, I did get them into festivals, and they did end up on television, and they had as much of a life as short films can.
If you're trying to live life, really live it, you should, in my opinion, try to expand all the aspects of your life. Open yourself to new ideas and new things even if you find you don't like them in the end - but at least knowing them has taken you that much further along into being a more experienced, more well-rounded person in this world.
People think that the government honors and respects us, and that they're actually going to come in and help people in need, but in reality it's really just a bunch of red tape, and through the power of language they can really make it seem like they're going to do a lot when they aren't going to do anything but filter money back into their own pockets.
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