A Quote by Jeff Lemire

I'm never one to care too much if my work becomes adapted; I make comic books. — © Jeff Lemire
I'm never one to care too much if my work becomes adapted; I make comic books.
If you think about movies that are adapted from books, they never feel like enough. There's always too much cut out in the end. You either make a five hour movie or you leave out stuff that should be in there.
I grew up reading comic books. Super hero comic books, Archie comic books, horror comic books, you name it.
I'm not ashamed of comic books. You have some people that are like, 'We're trying to elevate comic books.' Comic books have always told great dramatic stories.
Comic books, graphic novels, involve constant toggling and it's hard work. You get tired reading comic books, but you never get tired looking at pictures or reading words.
I think too many comic book covers are way too busy, crammed with far too much information, both visual and verbal, that just becomes a dull noise.
Comic books sort of follow with the move - if people see the movie and if they're interested in the character and want to see more of the character, they start buying the comic books. So a good movie helps the sale of the comic books and the comic books help the movie and one hand washes the other. So, I don't think there's any reason to think that comics will die out.
One can never read too little of bad, or too much of good books: bad books are intellectual poison; they destroy the mind. In order to read what is good one must make it a condition never to read what is bad; for life is short, and both time and strength limited.
Much of hip-hop, like comic books, is fantastical by nature, too.
Comic books and radio were my escape. I even remember 3-D comic books where you put on the red-and-green glasses and Mighty Mouse would punch you in the face. It was the literature of the day for kids my age who were too bored with listening to 'Peter and the Wolf' on the record player.
The way I work, and the material we work with, I think if you analyze too much and have too many specific ideas, it just becomes a little bit too superficial, and then performances might become too self-conscious and project relatively narrow things.
We can make this industry and this environment and comic book shops and comic book conventions and comic books themselves, we can make them a thing that is accessible to everybody so that nobody feels unwelcome, and nobody feels like this isn't their place.
I feel when a writer treats a character as 'precious,' the writer runs the risk of turning them into a comic book character. There's nothing wrong with comic book characters in comic books, but I don't write comic books.
When I was coming up, I kept a ton of comic books, almost 300 comic books. Back in the day, they didn't used to cost that much, so I used to keep 'em, collect 'em, trade 'em.
Quentin and I were constantly finding something new that we had in common and comic books were one of them. I think we were talking about comic books much earlier in our relationship, before I had the part.
Reading is a very different thing than performing. In fact, one of the things I think that doesn't work in books on tape is if the person doing the reading "acts" too much; it becomes irritating to you listening to it.
A man can never have too much red wine, too many books, or too much ammunition
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